Bøker av Luigi Pirandello

Luigi Pirandello (28 June 1867 - 10 December 1936) was an Italian dramatist, novelist, poet, and short story writer whose greatest contributions were his plays. He was awarded the 1934 Nobel Prize in Literature for "his almost magical power to turn psychological analysis into good theatre." Pirandello''s works include novels, hundreds of short stories, and about 40 plays, some of which are written in Sicilian. Pirandello''s tragic farces are often seen as forerunners of the Theatre of the Absurd. In 1893, he wrote his first important work Marta Ajala, which was published in 1901 with the title L''Esclusa. In 1894, he published his first collection of short stories, Amori Senza Amore.

Nobel prize-winning Luigi Pirandello's classic novel on the nature of identity brims with sly humor, compelling drama, and skillfully depicted, oddly modern characters-all capped with timeless insight into the fragile human psyche.

Serafino is a typical Pirandellian anti-hero, a spectator rather than a participant in the tragi-comedy of human existence. Indeed he has the perfect job for it, that of a film cameraman. Serafino is an observer, an impersonal tool of a new industry based on make-believe. All he has to do is turn the handle of his camera and watch. He has no part in what is going on and is so removed from life that the mauling of an actor by a tiger cannot deflect him from filming the action. The Notebooks of Serafino Gubbio is set in Rome circa 1915, partly on a film set, partly in the city.

A masterful collection by a literary giant of the past century, rendered by one of our most esteemed Italian translators Regarded as one of Europe's great modernists, Pirandello was also a master storyteller, a fine observer of the drama of daily life with a remarkable sense of the crushing burdens of class, gender, and social conventions. Set in the author's birthplace of Sicily, where the arid terrain and isolated villages map the fragile interior world of his characters, and in Rome, where modern life threatens centuries-old traditions, these original stories are sun baked with the deep lore of Italian folktales. In "The Jar," a broken earthenware pot pits its owner, a quarrelsome landholder, against a clever inventor of a mysterious glue. "The Dearly Departed" tells the story of a young widow and her new husband on their honeymoon, haunted at every turn by the sly visage of the deceased. The scorned lover, the despondent widow, the intransigent bureaucrat, the wretched peasant--Pirandello's characters expose the human condition in all its fatalism, injustice, and raw beauty. For lovers of Calvino and Pasolini, these picturesque stories preserve a memory of an Italy long gone, but one whose recurring concerns still speak to us today.

First performed in 1921 with Romans calling out 'Madhouse!' from the audience, "Six Characters in Search of an Author" has remained the most famous and innovative of Pirandello's plays. Often labeled a satirical tragicomedy, this play initiated the anti-illusionism movement of the early twentieth century, rejecting realism in favor of a more symbolic, dreamlike quality. When an acting company's rehearsal is interrupted by six family members who wish their life story to be enacted, the result is a masterpiece in the exploration of the nature of human personality. Both popular and controversial, this play blurred the lines of reality and illusion in unpredictable ways, ultimately influencing later playwrights like Beckett and Sartre with its bizarre blending of theatrical qualities. Such is the eloquence and depth of Pirandello's body of work that he was awarded the Nobel Prize in 1934, just two years before his death, an honor worthy of a playwright whose plays had a subtle yet profound impact on much of the theatre that would follow. This edition is printed on premium acid-free paper and follows the translation of Edward Storer.

A unique collection of short stories by the master of Italian modernism.

A young woman attempts suicide - but she's found before the poison can kill her. A journalist becomes interested in her life, then a novelist - stories circulate, more people are drawn in, and even the Foreign Office tries to intervene. An adaptation of Pirandello's play set in London in the winter of 1979-80. "A thought-provoking play about identity, guilt and betrayal." UK Theatre Network "It is a bitesize philosophy lecture... delivered with confidence and competence." A Younger Theatre

Pirandello's plays are a daring exploration of human actions and the dark motives lying behind them, and the culmination of the naturalistic school of theatre inaugurated by authors such as Ibsen and Chekhov.

Evoking in vivid detail the literary world in Rome at the turn of the century, this title tells the story of Silvia Roncella, a talented young female writer, and her husband Giustino Boggiolo. It opens with their arrival in Rome after having left their provincial southern Italian hometown following the success of Silvia's first novel.

First published in 1915 in Italian, Luigi Pirandello's Shoot! follows the life of fictional Italian camera operator Serafino Gubbio during the heady days of early motion pictures. Gubbio's 'journal' allows Pirandello to grapple with modernist themes of isolation and madness.

In February 1925, the 58-year-old world-famous playwright Luigi Pirandello met Marta Abba, an unknown, beautiful actress less than half his age, and fell in love with her. She was to become, until his death in December 1936, not only his confidante but also his inspiring muse and artistic collaborator, helping him in his plans to reform Italian theater under the Fascist regime. Pirandello's love for the young actress was neither a literary infatuation nor a form of fatherly affection, but rather an unfulfilled, desperate passion that secretly consumed him during the last decade of his life. Bitterly disillusioned by the conditions of the theatrical world in Italy, Pirandello and Abba shared a dream of going abroad to earn their fortune and returning to Italy with the means to establish a national theater dedicated to high artistic standards. In March 1929, when Marta finally yielded to family pressure and left Pirandello alone in Berlin to revive her Italian stage career and to end rumors over their involvement, he endured a devastating heartbreak and fell into a life-threatening depression--more profound and long-lasting than any of his biographers have yet imagined. The hundreds of letters Pirandello wrote to Abba during these years are the only source that reveals the true story of his relentless torment. Selected, translated, and introduced here for the first time in any language, these powerful and moving documents reward the reader with the unique experience of living in intimacy with a profound poet of human pain. Here Pirandello encourages his beloved in her difficult career as actor/manager, rejoices in her triumphs, and desperately implores her to return to him. The letters are filled with glimpses of this major artistic personality at some of his most distinctive moments--such as the award of the Nobel Prize, his meetings with Mussolini, and Marta's long-dreamed-of success on Broadway--but they remain foremost an authentic confession of a Pirandello, without the mask of his art, telling the story of his real-life tragedy. In 1986, two years before she died, Marta Abba authorized the publication of the present correspondence so that the world might understand how deeply Pirandello had suffered. This English-language volume contains a selection of 164 letters from the complete edition of 552, which Princeton University Press will publish in cooperation with Mondadori, in the original Italian, in 1995.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

For twenty years he lives this illusion but today a plot is being hatched to shock him out of this 'madness' and into the twenty-first century.Pirandello's Henry IV, in Tom Stoppard's new version, premiered at the Donmar Warehouse, London, in May 2004.

Pirandello is a seminal figure in modern drama. This is the only one-volume edition of his two most famous plays, Six Characters in Search of an Author and Henry IV, and his last unfinished masterpiece The Mountain Giants, in lively and performable new translations that remain faithful to the letter and spirit of the originals.

Six strangers turn up in a rehearsal room and demand that their story be acted out by the assembled company. As the actors perform, the increasingly gruesome story becomes frighteningly real.

Documents the infancy of film in Europe - complete with proto-divas, laughable production schedules, and cost-cutting measures with priceless effects - and offers a glimpse of the modern world through the camera's lens. This book captures early twentieth-century Italian filmmaking and reveals its truths as only a parody can.

Mattia Pascal endures a life of drudgery in a provincial town. Then, providentially, he discovers that he has been declared dead. Realizing he has a chance to start over, to do it right this time, he moves to a new city, adopts a new name, and a new course of life—only to find that this new existence is as insufferable as the old one. But when he returns to the world he left behind, it's too late: his job is gone, his wife has remarried. Mattia Pascal's fate is to live on as the ghost of the man he was.An explorer of identity and its mysteries, a connoisseur of black humor, Nobel Prize winner Luigi Pirandello is among the most teasing and profound of modern masters. The Late Mattia Pascal, here rendered into English by the outstanding translator William Weaver, offers an irresistible introduction to this great writer's work

Six people arrive at a theatre during rehearsals for a play. But they are not ordinary people. They are characters of a play that has not yet been written. Trapped inside a traumatic event from which they long to escape, they desperately need a writer to complete their story and release them.

A brand new adaptation of Pirandello's first play