Bøker av Louis Kirk McAuley

[headline]Advances our understanding of the literary legacy of contemporary ecological crises to investigate the interfaces of humanity and nature At this critical juncture in which the biodiversity of planet Earth appears to be shrinking fast and furiously, Louis Kirk McAuley invites us to consider the ways in which particular unruly natures, including animals, plants and minerals, actively intervene in literature to decentre the human. Drawing upon invasion biology, McAuley offers transformative ecocritical interpretations of eighteenth- and nineteenth-century British and American literature and highlights the heterarchical nature of empire building. This includes analyses of texts composed by (or about) persons residing at, or just outside, the edges of the British and American Empires, including St Kitts and Nevis, Haiti, Cuba, Hawaii and Samoa, which were built around the global transfer of animals and plants. Offering biotic readings of this literature, McAuley highlights the human place in nature and provides practical literary examples of the ways oceans facilitate the confusion of time and place. [bio]Louis Kirk McAuley has been Associate Professor in the Department of English at Washington State University, USA, since 2014. He has published numerous articles and book chapters and is the author of Print Technology in Scotland and America, 1740-1800 (2013).

In Print Technology in Scotland and America Louis Kirk McAuley investigates the mediation of popular-political culture in Scotland and America, from the transatlantic religious revivals known as the Great Awakening to the U.S. presidential election of 1800. By focusing on Scotland and Americaand, in particular, the tension between unity and fragmentation that characterizes eighteenth-century Scottish and American literature and culturePrint Technology aims to increase our understanding of how tensions within these corresponding political and cultural arenas altered the meaning of print as an instrument of empire and nation building. McAuley reveals how seemingly disparate events, including journalism and literary forgery, were instrumental and innovative deployments of print not as a liberation technology (as Habermas's analysis of prints structural transformation of the public sphere suggests), but as a mediator of political tensions.