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Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks is a collection of essays dedicated to the study of recorded popular music, with the aim of exploring "how the record shapes the song" (Moylan, Recording Analysis, 2020) from a variety of perspectives. Introduced with a Foreword by Paul Théberge, the distinguished editorial team has brought together a group of reputable international contributors to write about a rich collection of recordings.Examining a diverse set of songs from a range of genres and points in history (spanning the years 1936-2020), the authors herein illuminate unique attributes of the selected tracks and reveal how the recording develops the expressive content of song performance.Analyzing Recorded Music will interest all those who study popular music, cultural studies, and the musicology of record production, as well as popular music listeners.
Within popular music there are entire genres, styles, techniques, and practices that rely heavily on musical intertextuality and references between music of different styles and genres. This interdisciplinary collection of essays covers a wide range of musical styles and artists to investigate intertextuality - the shaping of one text by another - in popular music.
This book examines how female rock artists such as Tori Amos, Sara McLachlan, P.J. Harvey and k.d. lang explore themes of gender and sexuality in their musical and lyrical expression.
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