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The book features previously unpublishedmanuscripts and correspondence illustrating case studies of John Dos Passos screen writingfor Paramount Pictures 1934 his role in writing and filming The Spanish Earth 1937, a SpanishCivil War relief project whose circumstances culminated in his public breakfrom the Left the 1936 screen treatment he wrote just before The Spanish Earth in consultation withits director, Joris Ivens and his later-career attempts, beginning in the1940s, to adapt his radically innovative trilogy U.S.A. directly for the screen and to realign its leftist politicstoward the anti-Communist conservatism reflected in his
"The first study of his little-known screen writing, John Dos Passos and Motion Pictures: Writing Film, Film Writing draws on previously unpublished manuscripts and letters to explore his cinematic methods and his controversial mid-career conservative political shift"--
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