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SHORTLISTED FOR THE BC AND YUKON JIM DEVA PRIZE FOR WRITING THAT PROVOKESFrom the bestselling, Canada Reads-shortlisted author of The Woo-Woo comes a wild, darkly hilarious, and poignant collection of immigrant horror stories. They’ll haunt and consume you—in strange and unsettling ways.Living forever isn’t everything it’s cracked up to be. Hearts can still break, looks can still fade, and money still matters, even in eternity. The ghosts, zombies, and demons in this collection are all shockingly human, and they’re ready to spill their guts. Vanity, love, and tragedy are all candidly explored as the unfulfilled desires of the dead are echoed in the lives of modern-day immigrants. Story-by-story, the line between ghost and human, life and death, becomes increasingly blurred.There’s a courtesan from 17th century China who, try as she might, just can’t manage to die. Grandmama Wu, who returns from the dead to protect her grandchildren from bullies. Not to mention an Internet-order bride who inadvertently brings the apocalypse to Nebraska City.From Shanghai to Vancouver, the women in this collection haunt and are haunted—by first loves, troublesome family members, and traumatic memories. Intertwining horror, the supernatural, and mythology, Tell Me Pleasant Things about Immortality riotously critiques contemporary life and fearlessly illuminates the ways in which the past can devour us. A collection about transformation and what makes us human, it solidifies Lindsay Wong as one of the most vital and electrifying voices in Canadian literature today.
Crazy Rich Asians meets Love & Gelato in this hilarious, quirky novel about a Chinese-American teen who is thrust into the decadent world of Beijing high society when she is sent away to spend the summer in China.Iris Wang is having a bit of a rough start to her summer: Her boyfriend cheated on her, she didn't get into any colleges, and she has no idea who she is or what she wants to do with her life. She's always felt torn about being Chinese-American, feeling neither Chinese nor American enough to claim either identity. She's just a sad pizza combo from Domino's, as far as she's concerned. In an attempt to snap her out of her funk, Iris's parents send her away to visit family in Beijing, with the hopes that Iris would ';reconnect with her culture' and ';find herself.' Iris resents the condescension, but even she admits that this might be a good opportunity to hit the reset button on the apocalyptic disaster that has become her life. With this trip, Iris expects to eat a few dumplings, meet some family, and visit a tourist hotspot or two. Instead, she gets swept up in the ridiculous, opulent world of Beijing's wealthy elite, leading her to unexpected and extraordinary discoveries about her family, her future, and herself.
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