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Why are Emily Dickinson and Henry James drawn habitually to dashes? What makes James Baldwin such a fan of commas, which William Carlos Williams tends to ignore? And why do that odd couple, the novelist Virginia Woolf and the short story specialist Andre Dubus II, both embrace semicolons, while E. E. Cummings and Nikki Giovanni forego punctuation entirely? More generally, what effect do such nonverbal marks (or their absence) have on an author's encompassing vision? The first book on modern literature to compare writers' punctuation, and to show how fully typographical marks alter our sense of authorial style, Mark My Words offers new ways of reading some of our most important and beloved writers as well as suggesting a fresh perspective on literary style itself.
Lee Clark Mitchell takes a position against those critics looking to attach ""post"" to the all-too-familiar genre. For though the frontier disappeared long ago, though men on horseback have become commonplace, and though films of all sorts have always, necessarily defied generic patterns, the Western continues to enthrall audiences.
Ranging from the novels of James Fenimore Cooper to Louis L'Amour, and from such classic films as "Stagecoach" to spaghetti Westerns like "A Fistful of Dollars", this book shows how Westerns helped assuage a series of crises in American culture.
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