Bøker av Laurence Raw

Merchant-Ivory: Interviews gathers together, for the first time, interviews made over the past five decades with director James Ivory (b. 1928), producer Ismail Merchant (1936-2005), and screenwriter Ruth Prawer Jhabvala (b. 1927). Beginning with their earliest work in India, and ending with James Ivory's last film, The City of Your Final Destination (2009), the book traces their career, while offering valuable insights into their creative filmmaking process. The volume serves as a corrective to the prevailing critical orthodoxy attached to Merchant-Ivory's work, which tends to regard them as being solely concerned with historically accurate costumes and settings. As independent filmmakers, they have developed an idiosyncratic approach that resists facile classification. Merchant-Ivory have insisted on maintaining their independence. More importantly, this book shows how Merchant-Ivory have always taken considerable care in casting their films, as well as treating actors with respect. This is a deliberate policy, designed to bring out one of the triumvirate's principal thematic concerns, running throughout their work-the impact of the "e;clash of cultures"e; on individuals. Partly this has been inspired by their collective experiences of living and working in different cultures. They do not offer any answers to this issue; rather they believe that their task is simply to raise awareness; to make filmgoers conscious of the importance of cultural sensitivities that assume paramount significance in any exchange, whether verbal or nonverbal.

Examining the vanguard of New Turkish Cinema, Laurence Raw shows how these films reveal the effects of profound socio economic change on ordinary people in contemporary Turkey. Raw interleaves his film discussion with thoughtful commentary on nationalism, gender, personal identity, and cultural pluralism.

This book looks at how performances of Shakespeare in the Second World War (and post-war years) not only commented on the strife happening outside the theatre, but drew audiences together in a shared sense of community as a way of resisting the enemy. This examination is through the lens of one particular theatre actor/manager, Donald Wolfit, whose productions were extremely popular at the time. Wolfit was the model for "Sir" in Ronald Harwood's play The Dresser and is remembered fondly by British audiences.

Adaptation Studies is a fast-emerging discipline which has expanded into other areas of media scholarship. With its roots in literature and film, this discipline can be applied to much broader uses, even as a process that governs every aspect of our lives. Indeed, by expanding the scope of ';adaptation' to encompass a larger perspective, this discipline can promote lifelong learning that emphasizes communication, social interaction, and aesthetic engagement.In Adaptation Studies and Learning: New Frontiers, Laurence Raw and Tony Gurr seek to redefine the ways in which adaptation is taught and learned. Comprised of essays, reflections, and ';learning conversations' about the ways in which this approach to adaptation might be implemented, this book focuses on issues of curriculum construction, the role of technology, and the importance of collaboration. Including a series of case-studies and classroom experiences, the authors explore the relationship between adaptation and related disciplines such as history, media, and translation. The book also includes a series of case studies from the world of cinema, showing how collaboration and social interaction lies at the heart of successful film adaptations.By looking beyond the classroom, Raw and Gurr demonstrate how adaptation studies involves real-world issues of prime importancenot only to film and theater professionals, but to all learners. Covering a wide range of material, including film history, educational theory, and literary criticism, Adaptation Studies and Learning offers a radical repositioning of the ways in which we think about adaptation both inside and outside the classroom.

Considered one of the greatest American authors, Nathaniel Hawthorne created a memorable body of literature. In Adapting Nathaniel Hawthorne to the Screen: Forging New Worlds, Laurence Raw demonstrates how filmmakers have turned to Hawthorne to comment on the nation's past, present, and future.From filmmakers who use Hawthorne's material to depict American life of the mid-19th century to those commenting on various aspects of 20th century American life such as the "Red Scare," Raw surveys the canon of adaptations produced over the last eight decades. Raw discusses adaptations of the short stories "Feathertop," "The Snow Image," "Dr. Heidegger's Experiment," and "Rappacinni's Daughter," as well as the novels The House of Seven Gables and The Scarlet Letter, providing unique insight into American history from a variety of perspectives.

Raw shows how changing priorities have affected the ways in which Henry James's novels have been translated to the screen, looking at everything from The Turn of the Screw and The Portrait of a Lady to The Wings of the Dove and The Haunting of Hell House.

From his first feature film, The Duellists, to his international successes Alien, Blade Runner, Thelma and Louise, Black Hawk Down, Gladiator, and American Gangster, Ridley Scott has directed some of the most compelling films of the last 30 years. Apart from his work as a film director, Scott has engaged in a vast range of activities, including that as a designer, producer, film mogul, and advertising executive. The Ridley Scott Encyclopedia is the first book that focuses on all aspects of his work in a wide-ranging career that spans nearly 50 years. The entries in this encyclopedia focus on all aspects of his work and are divided into four categories. The first focuses on Ridley Scott's work as a director, encompassing his feature films from The Duellists to Body of Lies, as well as his work in television, including commercials. The second category focuses on the people who have been involved in Scott's projects, including actors, directors, producers, designers, writers and other creative personnel. The third focuses on general thematic issues raised in Scott's work, such as gender construction, political issues, and geographical locations. Finally the encyclopedia incorporates entries on films by other directors who have influenced Scott's approach to his work as a director or producer. Each entry is followed by a bibliography of published sources, both in print and online, making this the most comprehensive reference on Scott's body of work.