Bøker av Langston Hughes

From Harlem Renaissance poet Langston Hughes, a stunning collection of early works written from 1921-1927 and curated by award winning poet and National Book Award finalist, Danez Smith

Mule Bone: A Comedy of Negro Life is a 1930 play by American authors Langston Hughes and Zora Neale Hurston. The process of writing the play led Hughes and Hurston, who had been close friends, to sever their relationship. Mule Bone was not staged until 1991, when it was produced in New York City by the Lincoln Center Theater. The play begins in Eatonville, Florida, on a Saturday afternoon with Jim and Dave fighting for Daisy's affection. The two men come to blows, and Jim picks up a hock bone from a mule and knocks Dave out. Jim is arrested and held for trial in Joe Clarke's barn.On Monday, the trial begins in the Macedonia Baptist Church. The townspeople are divided along religious lines: Jim's Methodist supporters sit on one side of the church, Dave's Baptist supporters on the other. The issue to be decided at the trial is whether or not Jim has committed a crime. Jim admits he hit Dave but denies it was a crime. Elder Simms argues on Jim's behalf that a weapon is necessary to commit a crime, and nowhere in the Bible does it say a mule bone is a weapon. Elder Childers, representing Dave, says Samson used a donkey's jawbone to kill 3,000 men (citing Judges 18:18), so the hock bone of a mule must be even more powerful. Joe Clarke declares Jim guilty and banishes him from town for two years.Act III takes place some time later, with Daisy encountering Jim outside of town. She tells him she's been worried about him, but he's skeptical. She demonstrates the sincerity of her affection and Dave comes upon the couple. The two men engage in a war of words to try to show which of them loves Daisy more. The contest ends when it becomes clear that Daisy expects her man to work for the white people who employ her. Jim and Dave are reconciled, and neither remains interested in courting Daisy. The two men return to Eatonville. Mule Bone was produced for the first time in 1991 by the Lincoln Center Theater, more than 60 years after it was written. It opened at the Ethel Barrymore Theatre on Broadway on February 14, 1991, to generally negative reviews.Reviewing Mule Bone for The New York Times, Frank Rich wrote that it was "an evening that can most kindly be described as innocuous". He described it as a "broad, often bland quasi-musical". Also writing in The New York Times, David Richards said of Mule Bone: "it's just not a very good play." Both critics suggested the play might have been much better had Hughes and Hurston finished their collaboration.The production closed on April 14, 1991, after 68 performances. (wikipedia.org)

THE CELEBRATED SHORT STORY COLLECTION FROM THE AMERICAN POET AND WRITER OFTEN CALLED THE 'POET LAUREATE OF HARLEM'A black maid forms a close bond with the daughter of the cruel white couple for whom she works. Two rich, white artists hire a black model to pose as a slave. A white-passing boy ignores his mother when they cross each other on the street.Written with sardonic wit and a keen eye for the absurdly unjust, these fourteen stories about racial tensions are as relevant today as the day they were penned, and linger in the mind long after the final page is turned.'Powerful, polemical pieces' New York Times'Some of the best stories that have appeared in this country in years' North American Review

VINTAGE CLASSICS' HARLEM RENAISSANCE SERIESCelebrating the finest works of the Harlem Renaissance, one of the most important Black arts movements in modern history.'White peoples maybe mistreats you an' hates you, but when you hates 'em back, you's de one what's hurted, 'cause hate makes yo' heart ugly - that's all it does'Sandy's in the fifth grade when he's forced to sit on the back row away from his white classmates and denied entry to a new amusement park. His grandmother, who is raising him alongside his mother and aunt, tells him that love is the only thing to make room for in his heart. But it's Sandy's discovery of literature that inspires him to continue his education and make sense of the unjust world he inhabits in the debut novel from one of the foremost pioneers of the Harlem Renaissance.'[Hughes] gives his readers... a guide for careful consideration of the lives of everyday black people. Such a guide is still useful to readers and writers today. Perhaps now more than ever' Angela Flournoy, New York Times

The only collaboration between the two brightest lights of the Harlem Renaissance--Zora Neale Hurston and Langston HughesIn 1930, two giants of African American literature joined forces to create a lively, insightful, often wildly farcical look inside a rural Southern black community--the three-act play Mule Bone. In this hilarious story, Jim and Dave are a struggling song-and-dance team, and when a woman comes between them, chaos ensues in their tiny Florida hometown. This extraordinary theatrical work broke new ground while triggering a bitter controversy between the collaborators that kept it out of the public eye for sixty years.This edition of the rarely seen stage classic features Hurston's original short story, "The Bone of Contention," as well as the complete recounting of the acrimonious literary dispute that prevented Mule Bone from being produced or published until decades after the authors' deaths.

A shining star of the Harlem Renaissance movement, Langston Hughes--a poet, novelist, and playwright--was one of the most revered African American writers. His first published collection of poems, The Weary Blues, was a tour de force upon its release. Over ninety years later, it remains critically acclaimed and still evokes a fresh, contemporary feeling. The title poem, "The Weary Blues," influenced by the dialect and rhythm of blues, weaves pain and suffering into haunting melodic prose. "Dream Variation" rings with joyfulness amid oppression. "Epilogue" mimics Walt Whitman in its opening line, "I, too, sing America," proclaiming that the United States will someday fulfill its promise of equality. A powerful reflection of the Black experience, Hughes's words remain prophetic and relevant.

This beloved poem by Langston Hughes, illustrated by the award-winning Sean Qualls, is an irresistible celebration of the love between mother and baby, now available in board book format.Award-winning illustrator Sean Qualls's painted and collaged artwork captures universally powerful maternal moments with tenderness. In the end, readers will find a rare photo of baby Hughes and his mother, a biographical note, further reading, and the complete lullaby. Like little love-ones, this beautiful book is a treasure.?My little dark baby, / My little earth-thing, / My little love-one, / What shall I sing / For your lullaby?"

Langston Hughes's poetry launched a revolution among black writers in America. The poems in this volume were chosen by Hughes shortly before his death in 1967 and encompass work from his entire career.

Introduction by Arnold Rampersad.Langston Hughes, born in 1902, came of age early in the 1920s. In The Big Sea he recounts those memorable years in the two great playgrounds of the decade--Harlem and Paris. In Paris he was a cook and waiter in nightclubs. He knew the musicians and dancers, the drunks and dope fiends. In Harlem he was a rising young poet--at the center of the "Harlem Renaissance."Arnold Rampersad writes in his incisive new introduction to The Big Sea, an American classic: "This is American writing at its best--simpler than Hemingway; as simple and direct as that of another Missouri-born writer...Mark Twain."

. " -Long Beach Press-Telegraph

This is the second volume of Langston Hughes's autobiography, charting the period of his life from age 29 to 35. It is filled with portraits of the people and places Hughes encountered during his travels around the world.

This volume contains the plays written by Langston Hughes between 1930 and 1942, alone and in collaboration. Almost all the plays were performed during the same period; a few have never seen the stage, but are included because they indicate the range of Hughes's artistic and political concerns.

Part of ""The Collected Works of Langston Hughes"" series, this volume features his essays, from his radical pieces praising revolutionary socialist ideology in the 1930s to the more conservative, previously unpublished ""Black Writers in a Troubled World"".

Jesse B. Simple sprang to life in Langston Hughes's weekly ""Chicago Defender"" column in 1943. This is an examination of Hughes's ""Simple stories"". Through the conversations between Simple and his foil, Boyd, Hughes makes clear that both are alike - black men in a racially unbalanced society.

Langston Hughes, one of Americas greatest writers, was an innovator of jazz poetry and a leader of the Harlem Renaissance whose poems and plays resonate widely today. Accessible, personal, and inspirational, Hughes's poems portray the African American community in struggle in the context of a turbulent modern United States and a rising black freedom movement. This indispensable volume of letters between Hughes and four leftist confidants sheds vivid light on his life and politics.Letters from Langston begins in 1930 and ends shortly before his death in 1967, providing a window into a unique, self-created world where Hughes lived at ease. This distinctive volume collects the stories of Hughes and his friends in an era of uncertainty and reveals their visions of an idealized worldone without hunger, war, racism, and class oppression.

Langston Hughes, long recognized as a major American poet and an influential force in African-American literature, brought to this, his first novel, the lyricism, humor, and sureness of touch that characterizes his award-winning poetry. This story reflects the joys and hardships of an African-American boy growing to manhood.