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  • av Kwame Kwei-Armah
    194,-

    Place of publication from publisher's website.

  • av Kwame Kwei-Armah
    194,-

    Some things we do for those we are responsible for, some things for ourselves, and some things we do for the ancestors.Today, it's all three!1959. The first wave of independence is sweeping across Africa and Beneatha has left the prejudice of 1950s America for a brighter future with her Nigerian husband in Lagos. But on the day they move into their new house in the white suburbs, it doesn't take long for cracks to appear, changing the course of the rest of their lives.Present day. Now a renowned Dean whose colleagues are questioning the role of African American studies for future generations, Beneatha returns to the same house in search of answers. Inspired by Lorraine Hansberry's ground-breaking modern classic, A Raisin in the Sun, Beneatha's Place challenges today's culture wars about colonial history and reckoning with the past. A razor-sharp satire from Young Vic Artistic Director Kwame Kwei-Armah, about the power of knowing your history and the cost of letting it go, this edition was published to coincide with the London premiere at the Young Vic Theatre, in June 2023.

  • - Elmina's Kitchen; Fix Up; Statement of Regret; Let There Be Love
    av Kwame Kwei-Armah
    351,-

    The first collection of plays by the author of the successful trilogy of work produced at the National Theatre between 2003 and 2008. Besides Elmina's Kitchen, winner of the Evening Standard Award for Most Promising Playwright, the volume contains Fix Up, Statement of Regret and Let There Be Love.

  • av Kwame Kwei-Armah
    208 - 220,-

    The Yardies are burning up Hackney and Digger's offers of protection for the diner smacks more of threat than promise. How can Deli save his truanting, thieving son when temptation looms so large on Murder Mile?

  • av Kwame Kwei-Armah
    208,-

    Kwame Kwei-Armah's third play for the National Theatre opens in November 2007 and takes a punchy, provocative look at the Black British experience and the need, or not, for solidarity.

  • av Kwame Kwei-Armah
    204,-

    Set against the inexorable march of progress in contemporary London, Kwame Kwei-Armah's second play for the National explores race and roots with verve and wit.

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