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This collection of Vonnegut's letters is the autobiography he never wrote - from the letter he posted home upon being freed from a German POW camp, to notes of advice to his children: 'Don't let anybody tell you that smoking and boozing are bad for you.
For eight years, big game hunter and war hero Harold Ryan has been presumed dead, lost in the Amazon rainforest while hunting for diamonds. Though his hunting trophies remain, an inexplicable birthday cake sits in the living room bearing a strange icing inscription: Happy Birthday Wanda June.
A travelling salesman falls in love a robot, Jenny, a refrigerator with personality. A man plays with his model trains too much until the women in his life decide to take matters into their own hands.
From Slapstick's "Turkey Farm" to Slaughterhouse-Five's eternity in a Tralfamadorean zoo cage with Montana Wildhack, the question of the afterlife never left Kurt Vonnegut's mind. In God Bless You, Dr. Kevorkian, Vonnegut skips back and forth between life and the Afterlife as if the difference between them were rather slight. In thirty odd "interviews," Vonnegut trips down "the blue tunnel to the pearly gates" in the guise of a roving reporter for public radio, conducting interviews: with Salvatore Biagini, a retired construction worker who died of a heart attack while rescuing his schnauzer from a pit bull, with John Brown, still smoldering 140 years after his death by hanging, with William Shakespeare, who rubs Vonnegut the wrong way, and with socialist and labor leader Eugene Victor Debs, one of Vonnegut's personal heroes.What began as a series of ninety-second radio interludes for WNYC, New York City's public radio station, evolved into this provocative collection of musings about who and what we live for, and how much it all matters in the end. From the original portrait by his friend Jules Feiffer that graces the cover, to a final entry from Kilgore Trout, God Bless You, Dr. Kevorkian remains a joy.
Look at the Birdie evokes a world in which squabbling couples, high school geniuses, misfit office workers, and small-town Lotharios struggle to adapt to changing technology, moral ambiguity, and unprecedented affluence.
First published on the anniversary of Kurt Vonnegut's death, Armageddon in Retrospect is a collection of twelve new writings - a fitting tribute to the author, and an essential contribution to the discussion of war, peace and humanity's tendency towards violence.
This is the second volume of Vonnegut's autobiographical writings - a collage of his own life story, snipped up and stuck down alongside his views on everything from suicidal depression to the future of the planet and Andrew Lloyd Webber. this rare glimpse of Vonnegut's soul is a dagger to the heart of Western complacency.
A young PR man working at General Electric sold his first magazine piece. That young man was Kurt Vonnegut. Bagombo Snuff Box collects Vonnegut's favourite stories from the postwar years that sharpened his dark, vaudevillian and quietly subversive voice.
Using the laid-back, ironic voice that has become his stademark, Vonnegut combines fiction and fact to construct an ingenious, wry morality play' - NewsweekVonnegut's riotous urban fairytale about the various fiascos of the Nixon years - a firm fan favouriteWalter J.
'Although it is set in the near future, Hocus Pocus is the most topical, realistic Vonnegut novel to date, and shows the struggle of an artist a little impatient with allegory and more than a little impatient with his own country' - New York Times Book ReviewSome get all the luck - but not Eugene Debs Hartke.
From riffs on country music, George Bush, and his mother's midnight mania, to a bittersweet tribute to a dead friend, this book demonstrates why Kurt Vonnegut is equally well known as an essayist and commentator as he is a novelist. It resonates with Vonnegut's singular voice.
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