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Socrates famously claimed that he knew nothing, and that wisdom consisted in awareness of one's ignorance. In Ignorance, Irony and Knowledge in Plato, Kevin Crotty makes the case for the centrality and fruitfulness of Socratic ignorance throughout Plato's philosophical career. Knowing that you don't know is more than a maxim of intellectual humility; Plato shows how it lies at the basis of all the virtues, and inspires dialogue, the best and most characteristic activity of the philosophical life. Far from being simply a lack or deficit, ignorance is a necessary constituent of genuine knowledge. Crotty explores the intricate ironies involved in the paradoxical relationship of ignorance and knowledge. He argues, further, that Plato never abandoned the historical Socrates to pursue his own philosophical agenda. Rather, his philosophical career can be largely understood as a progressive deepening of his appreciation of Socratic ignorance. Crotty presents Plato as a forerunner of the scholarly interest in ignorance that has gathered force in a wide variety of disciplines over the last 20 years.
The City-State of the Soul: Self-Constitution in Plato's Republic explores Plato's idea that the moral life consists in the founding of one's own soul. This insight is central to the long argument of the Republic and, in particular, to the complex relation between the city and the human soul. This fruitful picture of the moral life, however, has not received the attention it deserves. As Kevin M. Crotty argues, Plato's distinctive insight is that justice is above all a creative force. Plato presents justice not as a relation amongst fully formed individuals, but rather as the quality that galvanizes a diverse welter of disparate parts into a coherent entity (above all, a soul or a city). Justice, then, is the virtue most closely associated with beingthe source of its philosophical stature. Plato presents a conception of justice meant to impress the young, bright and ambitious as a noble pursuit, and a task worthy of their best talents. The City-State of the Soul is written for anyone interested in the Republic, including but not limited to students and scholars of ancient philosophy, political philosophy, ethics, and ancient Greek literature.
In Law's Interior, Kevin M. Crotty draws on several important literary works to offer a new model of the relationship between citizens and their laws, one that emphasizes the power of law to shape citizens and to foster-or discourage-their autonomy...
The Philosopher's Song is a full-length treatment of Plato and the dynamic course of his philosophical thought, regarded from a distinctly poetic point of view. Kevin Crotty demonstrates how Plato's invention of philosophy needs to be situated within the context of a society where poets were cultural authorities, whose teachings emphasized such tragic themes as the instability of things and the indeterminacy of moral terms. The interest of Plato's philosophy lies to a great extent in the compelling interest of what he sought to repress-the poetic and political heritage of a world tragically conceived. Plato's attacks on the poets are notorious. Despite his apparently frank hostility, however, his relation to the poets was exceedingly complex, argues Crotty. Even the banishment of the poets in the Republic turns out to be, more deeply, a recruitment of mimetic poetry for Plato's metaphysics. Once endowed with a metaphysical significance, however, the poets posed a serious challenge to Platonic idealism, and spurred Plato to revise considerably his metaphysical scheme. Crotty ultimately concludes that the views of politics and ethics in Plato's later works return in many ways to the insights of the poets.
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