Bøker av Kenneth Frampton

A survey of modern architecture and its origins. This book also explores the effects of globalization on architecture, the rise annd rise of the celebrity architect, and the way in which practices worldwide have addressed such issues as sustainability and habitat.

The quintessential Japanese architect, Kengo Kuma has forged a modern design language that artfully combines the countries traditional building crafts with sophisticated technologies and materials. This title documents a leading light of the global architecture scene and offers insight into interpretations of Japans ancient building traditions.

Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present.Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture. Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton—the focus on architecture as a constructional craft—constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form.Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past.Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde."A copublication of the Graham Foundation for Advanced Studies and The MIT Press.

This book Presents seven interviews with architectural historian, Kenneth Frampton, reflecting on the long arc of his career in the discipline.

A revealing new look at modernist architecture, emphasizing its diversity, complexity, and broad inventiveness

British architect, critic, historian and educator Kenneth Frampton is the third recipient of the Soane Medal, which is awarded annually in recognition of architects and critics who have made a major contribution to their field through practice, education, history or theory, and in doing so have furthered and enriched the public understanding of architecture. The lecture was delivered on 11 November 2019 at the Sheikh Zayed Theatre in the New Academic Building of the London School of Economics. This publication contains the transcript of Kenneth Frampton's lecture, which examines masterworks of modern architecture from 1930 to the present in order to theorise an architecture that resists our compulsive commodification of the environment.

Shim-Sutcliffe's masterful work at Point William intertwines landscape and architecture with ancient rock and water reshaping and reimagining a site on the Canadian Shield over two decades.

Documents a unique training facility for the poor rural population in the Gaibandha district in northern Bangladesh, and featuring photographs by Swiss architectural photographer Helene Binet.