Bøker av Ken Hollings

The third and final volume of Ken Hollings' personal reflections on Trash Aesthetics. In Paradise, Hollings tells the story of three kings who squandered everything they had in a grandiose spectacle of waste. King Ludwig II of Bavaria, "King of Rock 'n' Roll" Elvis Presley and Michael Jackson, the "King of Pop," all shared the same doomed innocence. Their lives and early deaths were connected through individual displays of unfettered extravagance that brought them to the very edge of ruin. Each of them lived out their personal ideals of beauty and pleasure--even after the money was gone. In his reworking of Dante Alighieri's Paradiso, Hollings presents Heaven as a place of rebellious, but tragic, self-indulgence. As he notes in his introduction: "You have to be in Heaven to see Hell."

A series of essays modeled on the Purgatory of Dante Alighieri—personal reflections, historical incidents, and unexpected mythological correspondences.“The obsession with Beauty and Virtue must inevitably bring Trash into existence. Trash offers a way of lifting their curse; it marks the end of all such fatal enchantments.” In this sequel to 2020’s Inferno, Hollings shifts his attention away from America in the Age of Pop to take a close look at European decadence and decay at the end of the nineteenth century. Purgatory follows the twin fates of Hallward and Hancock as they are drawn, like so many artists before them, towards the city of Paris. It was here that exiled Swedish playwright August Strindberg struggled to turn iron and carbon into gold, while the aesthete Sâr Péladan staged his sumptuous Salons de la Rose+Croix. Over a series of thirty-three essays directly modeled on the Purgatory of Dante Alighieri, personal reflections, historical incidents, and unexpected mythological correspondences are combined to uncover a restless underground labyrinth of alchemists, poets, painters, and philosophers. Together, their combined influence would shape not only the events of May ’68 but the emergence of a uniquely European form of Trash cinema devoted exclusively to beauty, sex, and despair. To celebrate the 700th anniversary of Dante’s death, Ken Hollings offers the reader a radical retelling of the middle part of the Divine Comedy. Hell may be a tough act to follow—but, as Volume Two of the Trash Project reveals, Purgatory can be just as weird and dangerous.

A journey deep into the heart of the trash experience: tales from the underground and exploitation movie scene in America during the 1960s.

A radical retelling of our relationship with the cosmos, reinventing the history of astronomy as a new form of astrological calendar.Astronomy is another form of cinema. Time is fragmented and extended. Matter becomes light in motion. The camera remains fixed, looking outwards into the darkness, while the earth moves beneath our feet.A carefully constructed text in sixty numbered sections, The Space Oracle reinvents the history of astronomy as a new form of astrological calendar. This radical retelling of our relationship with the cosmos reaches back to places and times when astronomers were treated as artists or priests, to when popes took part in astral rites and the common people feared eclipses and comets as portents of disaster. Panoramic and encyclopedic in its scope, The Space Oracle brings astronauts and spies, engineers and soldiers, goddesses and satellites into alignment with speculative insights and everyday observations. The universe, Hollings argues, is a work in progress—enjoy it. Ken Hollings is a writer, broadcaster, and cultural theorist based in London. He has given readings, lectures and presentations of his work at the Royal Institution, the Berlin Akademie der Künste, the Venice Biennale, Tate Britain and the Royal College of Art, where he currently teaches. His previous two books, Welcome to Mars and The Bright Labyrinth are published by Strange Attractor Press."Ken Hollings is a master at connecting the dots between avant-garde art history, outré culture and weird science.” —David Pescovitz, Boing Boing

A subtle and sometimes disturbing account of how technology has impacted upon human culture.