Bøker av Ken Gelder

Over the course of the 19th century a remarkable array of character types appeared - and disappeared - in Australian literature. Some had a powerful influence on the colonies' developing sense of identity; others were more ephemeral. But all had a role to play in shaping and reflecting the social and economic circumstances of life in the colonies.

Colonial Australia produced a vast number of journals and magazines that helped to create an exuberant literary landscape. They were filled with lively contributions by many of the key writers and provocateurs of the day (and of the future). Writers such as Marcus Clarke, Rolf Boldrewood, Ethel Turner, and Katharine Susannah Prichard published for the first time in these journals. This book offers a fascinating selection of material; a miscellany of content that enabled the 'free play of intellect' to thrive and, matched with wry visual design, made attractive artifacts that demonstrate the role this period played in the growth of an Australian literary culture. *** "Gelder and Weaver arrange this anthology of excerpts from the journals of Australia in the later 19th century to show off the rich contents of these journals. The excerpts refute the stereotype that Australia in this era was rousingly nationalist. The book features color illustrations of magazine covers, which show how accomplished the pre-1900 publishing industry in Australia was. Recommended." - Choice, Vol 52, No. 4, December 2014Ã?Â?Ã?Â?Ã?Â?Ã?Â?

Marauding bushrangers, lost explorers, mad shepherds, new chums and mounted troopers: these are some of the characters who populate the often perilous world of colonial Australian adventure fiction. This anthology collects the best examples of this genre, with stories by Ernest Favenc, Louis Becke, Rosa Praed, Guy Boothby, and many others.

Collects some of the best examples of Australian gothic short stories from colonial times. Demonic bird cries, grisly corpses, ghostly women and psychotic station-owners populate a colonial landscape which is the stuff of nightmare.

Gelder examines the vampire in its various film and narrative manifestations, placing the vampires in their cultural contexts. The author draws upon films such as Murnau's Nosferatu and books such as Anne Rice's historical vampire chronicles.