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Jack Taylor wakes up and finds himself in a different world... yet it hasn't changed at all. When Jack Taylor awakes from a coma following an attack that left him in hospital, much of the world has changed. The Covid pandemic has devastated the lives of many in his beloved city of Galway and beyond. As Jack tries to absorb the incredible changes, a woman approaches him with a particularly distressing case. Two local nuns have been bludgeoned by a mysterious man wielding a hammer. As the police fail to act while the violence against the Sisters escalates, Jack seems like their only hope. Initially wary of getting involved, Jack finds he cannot stay away from the mystery surrounding these vicious attacks. He also cannot shake a feeling of darkness that has haunted him since he awoke from his coma: a darkness that is far too close for comfort...
When Jack Taylor wakes up, he finds himself in a different world... yet it hasn't changed at all.When Jack Taylor awakes from a coma following an attack that left him in hospital, much of the world has changed. The Covid pandemic has devastated the lives of many in his beloved city of Galway and beyond. As Jack tries to absorb the incredible changes, a woman approaches him with a particularly distressing case. Two local nuns have been bludgeoned by a mysterious man wielding a hammer. As the police fail to act while the violence against the Sisters escalates, Jack seems like their only hope. Initially wary of getting involved, Jack finds he cannot stay away from the mystery surrounding these vicious attacks. He also cannot shake a feeling of darkness that has haunted him since he awoke from his coma: a darkness that is far too close for comfort...
An apparent miracle unleashes a lethal chain of events in the life of Jack Taylor, ex-cop turned private eye.
“Hip, violent and funny vignettes of the mean streets of southeast London tie together this rowdy set of short novels” from the Irish crime writer (Publishers Weekly). At sixty-two, Chief Inspector Roberts is nearly too old to be a cop, but he makes up for his age with a ferocity that the younger detectives cannot match. After four decades on the force, he has a daughter who hates him, a wife who cheats, and a bank account that grows emptier every year. But on London’s darker streets, Roberts is a force to be reckoned with. With his partner, the gleefully brutal Detective Sergeant Brant, Roberts looks for every policeman’s dream: the White Arrest, a high-profile success that makes up for all their past failures. In A White Arrest, their target is a bat-wielding lunatic who knocks off drug dealers. In Taming the Alien, they hunt a mysterious hit man who earned his nickname by carrying out a hit while watching Ridley Scott’s sci-fi classic. And in The McDead, Roberts and Brant set their sights on a cunning kingpin ruling London’s southeast side. Gripping and gritty, Ken Bruen’s White Trilogy is an unforgettable noir portrait of London’s seedy underworld.
When last we saw Max Fisher and Angela Petrakos, Max was being arrested by the NYPD for drug trafficking and Angela was fleeing the country in the wake of a brutal murder. Now both are headed for eye-opening encounters with the law - Max in the cell blocks of Attica, Angela in a quaint little prison on the Greek island of Lesbos...
Someone is scraping the scum off the streets of Galway, and they want Jack Taylor to get involved. A drug pusher, a rapist, a loan shark, all targeted in what look like vigilante attacks. And the killer is writing to Jack, signing their name: C-33. Jack has had enough. He doesn't need the money, and doesn't want to get involved.
Some people help the less fortunate. Others kill them. Evil has many guises. Jack Taylor has encountered most of them but nothing before has ever truly terrified him until a group called Headstone rears its ugly head. An elderly priest is viciously beaten until nearly dead. A special needs boy is brutally attacked.
The Cop Detective Sergeant Brant is tough and uncompromising, as sleazy and ruthless as the villains he's out to get. While his violent methods may be questionable, Brant always gets results. The Killer A psychopath has started a killing spree across London.
America - the land of opportunity, a place where economic prosperity beckons: - but not for PI Jack Taylor, who's just been refused entry. Jack resumes his old life in Galway.
When Mitchell is released from prison after serving three years for a vicious attack he doesn't remember, he reluctantly finds himself caught up with Robert Gant, a ruthless lowlife with violent plans. Attempting to stay out of Gant's way, Mitchell finds work as a handyman at the mansion of a faded movie actress.
one judge. When a letter containing a list of victims arrives in the post, PI Jack Taylor is sickened, but tells himself the list has nothing to do with him. But it is not until a child is added to the list that Taylor determines to find the identity of the killer, and stop them at any cost.
A boy has been crucified in Galway city. No further action is taken. Then the sister of the murdered boy is burned alive and PI Jack Taylor decides to take matters into his own hands. Taylor's investigations take him to old city haunts where he encounters ghosts - living and dead.
Ireland, awash in cash and greed, no longer turns to the Church for solace or comfort. But a new job offers a fresh start, and an unexpected partnership makes him hope that his one desperate vision - of family - might yet be fulfilled.
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