Bøker av Kellie Robertson

New Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined. Essays in this volume investigate a range of writers from late antiquity to the fifteenth century. They explore encounters between humans and animals in French romance; reflect on what contemporary sound studies can offer to Anglo-French poetry; trace how the reception of Trojan history is influenced by late medieval military practices; attend to the complex multilingualism of a devotional poetry that tests the limits of both language and theology; analyse the ways in which Christ's sexuality upsets religious typology inlate medieval drama; document the lines of national and European affinities found in French poetic manuscripts; and argue for why we should study "e;ugly"e; manuscripts of practical instruction not only for what they teach us but alsofor their insights into medieval literacy. Texts discussed include romances such as Chretien de Troyes's Yvain and Beroul's Tristan; the theologian John of Howden's adaptation of the Philomela legend in his Rossignos; Chaucer's Troilus and Criseyde read alongside siege chronicles of the Hundred Years War; Bruder Hans's quadrilingual Ave Maria; the York Corpus Christi Plays; the poetry of Charles d'Orleans; and a group oflate medieval manuscripts which include herbals, account books, and medical treatises. KELLIE ROBERTSON is Professor of English and Comparative Literature at the University of Maryland; WENDY SCASE is Geoffrey Shepherd Professor of Medieval English Literature at the University of Birmingham; LAURA ASHE is Professor of English at the University of Oxford and Fellow and Tutor at Worcester College, Oxford; PHILIP KNOX Is University Lecturer inEnglish and Fellow of Trinity College, Cambridge, Contributors: Lukas Hadrian Ovrom, Terrence Cullen, Steven Rozenski, Tison Pugh, Rory G. Critten, Daniel Wakelin.

An invigorating annual for those who are interested in medieval textual cultures and open to ways in which diverse post-modern methodologies may be applied to them. Alcuin Blamires, Review of English StudiesNew Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces both the British Isles and Europe. Essays in this volume trace institutional histories, examining the textual and memorial practices of religious institutions across the British Isles; explore language games that play with meaning in Anglo-French poetry; examine the interplay of form and matter in Italian song; position Old Norse sagas in an ecocritical and a postcolonial framework; consider the impact of papal politics on Middle English poetry; and read allegorical poetry as a privileged site for asking fundamental questions about the nature of the mind. Texts discussed include lives of St Aebbe of Coldingham, with a focus on the twelfth-century Latin Vita and its afterlives; a range of Latin and vernacular works associated with institutional houses, including the Vie de Edmund le rei by Denis Piramus and the Ecclesiastical History of Orderic Vitalis; both the didactic and lyrical writings of Walter de Bibbesworth; the trecento Italian caccia, especially examples by Vincenzo da Rimini and Lorenzo Masini;Barar saga, Egils saga, and other Old Norse works that reveal the traces of encounters with a racial other; John Gower's Confessio Amantis, in striking juxtaposition with late-medieval accounts of ecclesiastical crisis; and Alain Chartier's Livre de l'Esperance. PHILIP KNOX Is University Lecturer in English and Fellow of Trinity College, Cambridge; KELLIE ROBERTSON is Professor of English and Comparative Literature at theUniversity of Maryland; WENDY SCASE is Geoffrey Shepherd Professor of Medieval English Literature at the University of Birmingham; LAURA ASHE is Professor of English at the University of Oxford and Fellow and Tutor at Worcester College, Oxford. Contributors: Daisy Delogu, Thomas Hinton, Thomas O'Donnell, Daniel Remein, Jamie L. Reuland, Zachary Stone, Christiania Whitehead.

Nature Speaks recovers the common ground shared between physics-what used to be known as "natural philosophy"-and fiction-writing as ways of representing the natural world. In doing so, it traces how nature gained an authoritative voice in the late medieval period only to lose it at the outset of modernity.