Bøker av Kathrin Maurer

A comprehensive overview of how civilian drones sense the world and how they build the aesthetic imaginaries of our communities.Drone technology has garnered critical attention across many fields, from engineering to the humanities. While the first wave of drone scholarship was key in initiating the debate on drones, it also privileged the idea of the “scopic regime”—a militarized regime of hypervisuality—in its analyses of the connection between vision and power. The Sensorium of the Drone and Communities broadens the drone’s spectrum of perception by acknowledging its creative, life-affirming possibility with the notion of the sensorium. The sensorium of the drone is a multimedia, synesthetic sensing assemblage in which the human agent is enmeshed with the drone. Drone sensoria can sense in many more ways than the scopic regime—with sound, touch, smell, temperature, and movement.In The Sensorium of the Drone and Communities, Kathrin Maurer shows how drone sensoria can change our understanding of human communities by constructing imaginaries of social communities based on decentralized and fluid sensing processes. Maurer takes an aesthetic approach to technology, working with two understandings of aesthetics. One understanding refers to aesthetics as a way of experiencing, and it explores how the drone-human assemblage perceives the world. The other refers to aesthetic mimetic representation, and focuses on how aesthetic drone imaginaries in literature, popular culture, visual arts, and films negotiate the sensorial technology of the drone.Bringing together key ideas in technology studies, studies of aerial views, visual and aesthetic studies, posthuman sensing, machine–human interaction, and communities, The Sensorium of the Drone and Communities sheds a welcome and necessary light on this technology’s creative potential as well as its dangers and risks.

Visual media had a decisive impact on how the past was perceived in historicist culture in nineteenth-century Germany. The panorama, photography, and book illustrations can portray the past under the auspices of spatiality. Research on historicist culture often neglects this dimension of space and concentrates on traditional historicist paradigms, such as temporality, narrative, and teleology. By investigating the visual vocabulary of different historicist genres (academic historiography, illustrated history books, historical maps), this volume expands an understanding of German historicist culture as a multi-medial phenomenon, and shows that past is conveyed in spatial forms, such as travel locations, national and colonial spaces, as well as geographical areas. Tracing these concepts of historical space, this volume demonstrates that the image works as a powerful tool to propagate the ideology of German imperialism in the nineteenth-century, but also can critically reflect the political agendas of national historicism.