Bøker av Kate Zambreno

Inspired by the lectures of Roland Barthes, Anne Carson, and Jorge Luis Borges, Appendix Project collects 11 talks and essays written in the course of the year following the publication of Book of Mutter. Zambreno's most original and dazzling thinking and writing to date.

Book of Mutter is a tender and disquieting meditation on the ability of writing, photography, and memory to embrace shadows while in the throes-and dead calm-of grief. Neither memoir, essay, nor poetry, it is an uncategorisable text that draws upon a repertoire of genres to write into and against silence.

Kate Zambreno's genre defining manifesto reclaiming the wives and mistresses of literary modernism that inspired a generation of writers and scholars, reissued after more than a decade with a new introduction by Jamie HoodOn the last day of December 2009, Kate Zambreno, then an unpublished writer, began an online blog for her highly informed and passionate rants, and her heartfelt and melancholy portraits of the modernist 'wives and mistresses,' reclaiming the traditionally pathologised biographies of Vivienne Eliot, Jane Bowles, Jean Rhys and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased and institutionalised. In Heroines, Zambreno extends the polemic into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it, she traces the genesis of a cultural template that consistently exiles feminine experience to the realm of the 'minor,' and diagnoses women for transgressing social bounds. 'ANXIETY: When she experiences it, it's pathological,' writes Zambreno. 'When he does, it's existential.' A book that has become its own canon, Heroines was named one of the '50 Books that define the past 5 Years in Literature' by Flavorwire, an 'Essential Feminist Manifesto' by Dazed, and one of the '50 Greatest Books by Women' in Buzzfeed.'It's kind of a book of utterances... it's beautiful and I love it'Kristen Stewart'If you thought you knew a lot about the "wives" of modernism and the various forms of silencing they suffered, Kate Zambreno's Heroines will teach you more; if you didn't know much, your mouth will fall open in enraged amazement'Maggie Nelson'A lush, lyrical feminist memoir'Laurie Penny, New Statesman'Zambreno doesn't write with the measured voice of someone who can count on being listened to, but with the wail of someone confined to a shed'Sheila Heti, London Review of Books

The most comprehensive survey of the celebrated Dutch artist Michael Raedecker's work spanning his 30-year career Michael Raedecker, the acclaimed Dutch artist, records the memories held within spaces and objects in his enigmatic and dream-like paintings. Suburban homes, tree houses, and empty rooms and vacant chairs, all float in haunting isolation. Muted hues are penetrated with thread and needle where the artist hand-sews forms into textural materiality. Since the beginning of his career as a painter, Raedecker has incorporated embroidery into his works as a visual counterpoint to his washed-out paint application. This survey of his work, designed by the acclaimed Dutch graphic designer, Irma Boom, is the most comprehensive published to date, featuring essays by a unique and diverse group of critics, curators, artists, and academics.

"Zambreno offers her most profound and affecting work yet: a candid chronicle of life as a mother of two young daughters in a moment of profound uncertainty about public health, climate change, and the future we can expect for our children. Moving through the seasons, returning often to parks and green spaces, Zambreno captures the isolation and exhaustion of being home with a baby and a small child, but also small and transcendent moments of beauty and joy. Inspired by writers and artists ranging from Natalia Ginzburg to Joseph Cornell, Yåuko Tsushima to Bernadette Mayer, Etel Adnan to David Wojnarowicz, The Light Room represents an impassioned appreciation of community and the commons, and an ecstatic engagement with the living world. How will our memories, and our children's, be affected by this time of profound disconnection? What does it mean to bring new life, and new work, into this moment of precarity and crisis? In The Light Room, Kate Zambreno offers a vision of how to live in ways that move away from disenchantment, and toward light and possibility"--