Bøker av Kate Beaton

'An exceptionally beautiful book' Carmen Maria Machado, author of In the Dream House 'A vast and complex tapestry that captures the humanity of people... it shimmers with grace.' Alison Bechdel, author of Fun HomeBefore there was Kate Beaton, New York Times bestselling cartoonist of Hark A Vagrant, there was Katie Beaton of the Cape Breton Beatons, a tight-knit seaside community. After university, Katie heads out west to take advantage of Alberta's oil rush, part of the long tradition of East Coast Canadians who seek gainful employment elsewhere when they can't find it in the homeland they love so much. With the singular goal of paying off her student loans, what the journey will actually cost Katie will be far more than she anticipates.Arriving in Fort McMurray, Katie finds work in the lucrative camps owned and operated by the world's largest oil companies. As one of the few women among thousands of men, the culture shock is palpable. It does not hit home until she moves to a spartan, isolated worksite for higher pay. Katie encounters the harsh reality of life in the oil sands where trauma is an everyday occurrence yet never discussed. For young Katie, her wounds may never heal. Beaton's natural cartooning prowess is on full display as she draws colossal machinery and mammoth vehicles set against a sublime Albertan backdrop of wildlife, Northern Lights, and Rocky Mountains. Her first full length graphic narrative, Ducks: Two Years in the Oil Sands is an untold story of Canada: a country that prides itself on its egalitarian ethos and natural beauty while simultaneously exploiting both the riches of its land and the humanity of its people.

A Vagrant returns with all-new sidesplitting comics that showcase her irreverent love of history, pop culture and literature. Collected from her wildly popular website, readers will guffaw over 'Strong Female Characters', the wicked yet chivalrous Black Prince, 'Straw Feminists in the Closet' and a disgruntled Heathcliff.

Bodies of Art, Bodies of Labour by Kate Beaton, award-winning author of Ducks: Two Years in the Oil Sands and Hark! A Vagrant, explores connections between class, literature, and art from Cape Breton Island. In this thought-provoking book, Beaton addresses the often overlooked impact of class on the Canadian arts scene. The book highlights the reality that people from poor or working-class backgrounds face significant barriers to becoming artists, limiting their ability to share their stories and contribute to the collective culture. This lack of representation in art, music, and literature can empower or stereotype, edify or diminish, or worse, erase entire communities. Beaton emphasizes that if working-class and poor people do not write themselves into stories, others will, often with damaging results. Drawing on examples from work published about Cape Breton, Beaton sheds light on the portrayal of working-class lives. She juxtaposes this with her personal experiences, her family's stories, and the inspiring work of other Cape Bretoners. Despite economic hardships, her community has long valued and created art: art for no money, for each other, for themselves, for memory, for joy. Bodies of Art, Bodies of Labour thoughtfully examines personal and working class legacies, celebrating the authenticity and power of truly seeing ourselves and each other in the art that we create.With an introduction by Julie Rak.

Since Kate Beaton appeared on the comics scene in 2007 her cartoons have become fan favourites and gathered an enormous following, appearing in the New Yorker, Harper and the LA Times, to name but a few.