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  • av Julien Gracq
    179,-

    A previously untranslated gem of Surrealist prose poetry from the acclaimed French novelistIn 1941, Julien Gracq, newly released from a German prisoner-of-war camp, wrote a series of prose poems that would come to represent the only properly Surrealist writings in his oeuvre. Surrealism provided Gracq with a means of counteracting his disturbing wartime experiences; his newfound freedom inspired a new freedom of personal expression, and he gave the collection an appropriate title, Great Liberty: "In the occult dictionary of Surrealism, the true name of poetry is liberation." Gracq the poet rather than the novelist is at work here: Surrealist fireworks lace through bewitching modernist romance, fantasy, black humor and deadpan absurdism. A later, postwar section entitled "The Habitable Earth" presents Gracq as visionary traveler exploring Andes and Flanders and returning to the narrative impulse of his better-known fiction.Julien Gracq (1910-2007), born Louis Poirier, is known for such dreamlike novels as The Castle of Argol, A Dark Stranger, The Opposing Shore and Balcony in the Forest. He was close to the Surrealist movement, and André Breton in particular, to whom he devoted a critical study.

  • av Julien Gracq
    249,-

  • av Julien Gracq
    192,-

  • av Julien Gracq
    212,-

  • av Julien Gracq
    224,-

  • av Julien Gracq
    492,-

    Aldo, a young aristocrat of Orsenna, becomes aware of the delicate balance that preserves the peace between Orsenna and Farghestan, who have, technically, been at war for three hundred years.

  • av Julien Gracq
    276,-

    The great maritime state of Orsenna has long been lulled by settled peace and prosperity. It is three hundred years since it was actively at war with its traditional enemy two days' sail across the water, the savage land of Farghestan - a slumbering but by no means extinct volcano.

  • av Julien Gracq
    150,-

    A World War One love story about the arrival of a soldier at the home of an aviator friend, who happens to be a dandy and avant-garde composer. The novel was inspired by two images, Goya's engraving La Mala Noche and Burne-Jone's painting King Cophetua and the Beggar Girl.

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