Bøker av Julia Bricklin

In 1950, facing artistic and legal persecution by Senator Joe McCarthy because of her listing on Louis Budenz¿s list of 400 concealed communists, single mother Hannah Weinstein fled to Europe. There, she built a television studio and established her own production company, Sapphire Films, then surreptitiously hired scores of such blacklisted writers as Waldo Salt, Ian McClellan, Adrian Scott, and Ring Lardner Jr., and ¿Trojan-horsed¿ more than three hundred half-hours of programming back to the United States, making a fortune in the process. Before she became one of the more powerful independent production forces in 1950s British television, Hannah Weinstein had a distinguished career as a journalist, publicist, and left-wing political activist. She worked for the New York Herald Tribune from 1927, then began a career in politics when she joined Fiorello H. La Guardiäs New York mayoral campaign in 1937. She also organized the press side of the presidential campaigns of Franklin D. Roosevelt and later (in 1948) of Henry Wallace where she established her own production company, Sapphire Films. With the exception of a French producer, no other woman on the continent was creating television content at this time, and Weinstein was the only one who was head of her own studio. Using declassified FBI and CIA files, interviews, and the personal papers of blacklisted writers and other sources, Red Sapphire will show that for the better part of a decade, Weinstein was a leader in the left¿s battle with the right to shape popular culture during the Cold War . . . a battle that she eventually won.

In 1900, the young and beautiful Leonel Ross Campbell became the first female reporter to work for the Denver Post. As the journalist known as Polly Pry, she ruffled feathers when she worked to free a convicted cannibal and when she battled the powerful Telluride minersΓÇÖ union. She was nearly murdered more than once. And a younger female colleague once said, ΓÇ£Polly Pry did not just report the news, she made it!ΓÇ¥ If only that young reporter had known how true her words were. Polly Pry got her start not just writing the news but inventing it. In spite of herself, however, Campbell would become a respected journalist and activist later in her career. She would establish herself as a champion for rights of the under served in the early twentieth century, taking up the causes of women, children, laborers, victims and soldiers of war, and prisoners. And she wrote some of the most sensational stories that westerners had ever read, all while keeping the truth behind her success a secret from her colleagues and closest friends and family.

Today, most remember "California Girl" Lillian Frances Smith (1871-1930) as Annie Oakley's chief competitor in the small world of the Wild West shows' female shooters. But the two women were quite different. This lively first biography chronicles the Wild West showbiz life that Smith led and explores the talents that made her a star.

In 1900, the young and beautiful Leonel Ross Campbell became the first female reporter to work for the Denver Post. As the journalist known as Polly Pry, she ruffled feathers when she worked to free a convicted cannibal and when she battled the powerful Telluride miners’ union. She was nearly murdered more than once. And a younger female colleague once said, “Polly Pry did not just report the news, she made it!” If only that young reporter had known how true her words were. Polly Pry got her start not just writing the news but inventing it. In spite of herself, however, Campbell would become a respected journalist and activist later in her career. She would establish herself as a champion for rights of the under served in the early twentieth century, taking up the causes of women, children, laborers, victims and soldiers of war, and prisoners. And she wrote some of the most sensational stories that westerners had ever read, all while keeping the truth behind her success a secret from her colleagues and closest friends and family.