Bøker av Jonathan Cohen

Endoscopy-Past, Present, and Future: The NYSGE at 50 commemorates a significant milestone - the 50th Anniversary of NYSGE. In honor of this occasion, prominent voices within the Society explore pivotal advancements in the realm of gastrointestinal endoscopy, a journey that has unfolded since the group's inception in 1974. These essays intricately weave the narrative of the indispensable role NYSGE members have played in shaping the landscape. While the spotlight is cast on the pioneering strides made by NYSGE's endoscopists and researchers, the volume also examines how these breakthroughs intertwine with the contemporary state of various endoscopic disciplines.The book's chapters take readers on a comprehensive journey through the evolution of gastroenterology and endoscopy. Opening with a historical overview, the first chapter delves into the visionary founding of NYSGE and its subsequent growth. Highlighting figures like Florence Lefcourt and Doris Barnie, the chapter underscores their pivotal roles in establishing the society. It traces the development of the nurses program, NYSGE courses, and global collaborations, offering a glimpse into transformative advancements on the horizon. Following chapters spotlight pivotal achievements, such as the trajectory of polypectomy from its inception to televideo mentoring, and more.

The Red and the Real offers a new approach to longstanding philosophical puzzles about what colors are and how they fit into the natural world. Jonathan Cohen draws on color science, psychology, phenomenology, semantics, and ontology in arguing that colors are identical to certain functional roles involving perceptual effects on subjects.

Brings together the views of three of the greatest scholar-thinkers in the area of Jewish philosophy of the twentieth century, including Harry Austryn Wolfson (1887-1974), Julius Guttmann (1880-1950), and Leo Strauss (1899-1973).

Zero Hour and Other Documentary Poems brings together in English translation eight of the longer poems by Nicaragua's impassioned Marxist priest, Ernesto Cardenal, described in the Times Literary Supplement as "the outstanding socially committed poet of his generation in Spanish America." His work, like Pablo Neruda's, is unabashedly political; like Ezra Pound's, his poems demonstrate history on an epic scale--but the voice is all his own and speaks from the heart of a land sunk for generations in poverty, oppression, and turmoil. As both activist and contemplative, Cardenal maintained strong ties with the Sandinist guerillas while at the same time living a form of primitive Christianity at his religious settlement of Our Lady of Solentiname on an island in Lake Nicaragua. In late 1977, amid increasing civil violence, the Nicaraguan National Guard utterly destroyed the Solentiname community, and Cardenal fled to neighboring Costa Rica, where he continued his efforts on behalf of the revolutionary movement. With the final collapse of the Somoza dictatorship in 1979, he returned to Nicaragua as his country's new Minister of Culture. Spanning a quarter century, the poems in Zero Hour constitute a vivid record of continuous struggle against flagrant exploitation and brutal indifference to common humanity.