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In this fascinating biography, John Tulloch explores the life and ideas of the 17th century philosopher Blaise Pascal. Tracing the development of Pascal's thought from his early mathematical work to his later religious writings, this book offers a compelling portrait of a brilliant and enigmatic thinker.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The first memoir from one of the victims of the 7 July London bombings,l combining the emotional impact of The Diving Bell and the Butterfly with the political passion of the work of Noam Chomsky (Hegemony or Survival)
Media, communications and cultural studies form a rapidly growing part of secondary and tertiary education in Australia, yet there have been few books dealing specifically with Australian television. This is the first wide ranging study of television in Australia, and includes a coverage of the cultural and institutional history of Australian television as well as examining a wide range of television programming.Prisoner, Perfect Match, Hey Hey It''s Saturday, A Country Practice, Vietnam and Beyond 2000 are some of the programs described and analysed. Issues are raised such as the relationship between children and television, the role of the television documentary and the function television serves in constructing communities.The contributors to Australian Television: Programs, Pleasures and Politics include some of the leading researchers in Australian television and cultural studies and their articles employ a wide range of methods - from semiotic analyses to cultural histories. Despite their dealing with often quite sophisticated problems, the chapters are written in an accessible and lively manner. This is an important collection which opens out space for more informed and challenging discussions of Australia''s television culture - its programs, its meanings, its pleasures and its politics. It will be an invaluable text for all tertiary television, media studies, communications studies, Australian studies and cultural studies programs.
Watching Television Audiences offers a comprehensive introduction to the current state of research into TV audiences. It provides students and academics not only with an understanding of the theory but also of the different methodologies used to research different types of audience.
This book examines how people respond to, experience and think about risk. The authors stress the need to take into account the cultural dimensions of risk and risk-taking and consider the influence that gender, social class, ethnicity, sexual orientation, occupation, geographical location and nationality have on our perceptions of risk
Views television drama from a cultural studies perspective, examining the active agency of both viewers and media practitioners. Tulloch looks at genres such as soap opera, science fiction, sitcoms and police series.
In his outstanding career, Trevor Griffiths has negotiated the issues of genre, politics, identity, class, history, memory and televisual form with a sustained creativity and integrity second to none. -- .
A look at the strengths and weaknesses of cultural studies, providing a blend of performance and risk theory. It explores the need to erase the separation of "high" and "popular" culture studies, starting from the thesis that cultural studies has been too pre-occupied with popular culture.
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