Gjør som tusenvis av andre bokelskere
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.Du kan når som helst melde deg av våre nyhetsbrev.
This book places the contemporary fear of climate change in historical perspective, showing that throughout human history the dominant perspective on the future has been one of fear. Across a broad historical sweep, the book describes the varied means employed to predict and control the future: magic, religion, science, and technology. Future Fear traces fear of the future from prehistory to the present, culminating in the contemporary fear of imminent climate change catastrophe. Consideration is also given to hope in a more positive future, revealing that visions of the future have often been a mingling of fear and hope.
This book explores collaboration between artists and scientists and examines the ways in which scientific data and research findings can be communicated, translated and transformed using the techniques of contemporary art and information technology. Contemporary art forms-including installation, sculpture, painting, computer-based art, Internet art and interactive electronic artworks-are able to provide new and creative outlets, with expanded audiences, for scientific research. The book, which features 75 illustrations of works created as a result of art-science collaboration between scientists and artists, is important in the field because it presents a thorough account of the collaboration through the eyes of a leading creative practitioner and a leading cultural theorist. It contains a wide range of in-detail examples of successful collaborative works that illustrate the breadth and depth of contemporary interdisciplinary creative-research approaches.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In the networked age, we are living with changed parameters of time and space. Mobile networked communication fosters a form of virtual time and space, which is super-imposed onto territorial space. Time is increasingly composed of interruptions and distractions, as smartphone users are overwhelmed by messages.
Introducing a wealth of theoretical perspectives in a lucid and engaging style and covering a range of topical, challenging and intriguing examples - from cyborgs to digital art - it will be an essential text for everyone wanting to make sense of crucial forces of change on contemporary culture.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.