Bøker av John McWhorter

A New York Times bestseller One of the preeminent linguists of our time examines the realms of language that are considered shocking and taboo in order to understand what imbues curse words with such power-and why we love them so much.Profanity has always been a deliciously vibrant part of our lexicon, an integral part of being human. In fact, our ability to curse comes from a different part of the brain than other parts of speech-the urgency with which we say "f&*k!" is instead related to the instinct that tells us to flee from danger.Language evolves with time, and so does what we consider profane or unspeakable. Nine Nasty Words is a rollicking examination of profanity, explored from every angle: historical, sociological, political, linguistic. In a particularly coarse moment, when the public discourse is shaped in part by once-shocking words, nothing could be timelier.

The series builds an extensive collection of high quality descriptions of languages around the world. Each volume offers a comprehensive grammatical description of a single language together with fully analyzed sample texts and, if appropriate, a word list and other relevant information which is available on the language in question. There are no restrictions as to language family or area, and although special attention is paid to hitherto undescribed languages, new and valuable treatments of better known languages are also included. No theoretical model is imposed on the authors; the only criterion is a high standard of scientific quality. To discuss your book idea or submit a proposal, please contact Birgit Sievert.

Saramaccan has been central to various debates regarding the origin and nature of creole languages. Being the most removed of all English-based creoles from European language structure in terms of phonology, morphology and syntax, it has been seen as one of the most extreme instantiations of the creolization process. This is the first full-length description of Saramaccan. The grammar documents, in particular, a valence-sensitive system of indicating movement and direction via serial verb constructions, hitherto overlooked amidst the generalized phenomenon of serialization itself.

"e;Superb."e; -Steven Pinker"e;An explanation, a defense, and, most heartening, a celebration. . . . McWhorter demonstrates the 'legitimacy' of Black English by uncovering its complexity and sophistication, as well as the still unfolding journey that has led to its creation. . . . [His] intelligent breeziness is the source of the book's considerable charm."e; -New Yorker"e;Talking Back, Talking Black is [McWhorter's] case for the acceptance of black English as a legitimate American dialect. . . . He ably and enthusiastically breaks down the mechanics."e; -New York Times Book ReviewLinguists have been studying Black English as a speech variety for years, arguing to the public that it is different from Standard English, not a degradation of it. Yet false assumptions and controversies still swirl around what it means to speak and sound "e;black."e; In his first book devoted solely to the form, structure, and development of Black English, John McWhorter clearly explains its fundamentals and rich history while carefully examining the cultural, educational, and political issues that have undermined recognition of this transformative, empowering dialect.Talking Back, Talking Black takes us on a fascinating tour of a nuanced and complex language that has moved beyond America's borders to become a dynamic force for today's youth culture around the world.John McWhorter teaches linguistics, Western civilization, music history, and American studies at Columbia University. A New York Times best-selling author and TED speaker, he is a columnist for CNN.com, a regular contributor to the Atlantic, a frequent guest on CNN and MSNBC, and the host of Slate's language podcast, Lexicon Valley. His books on language include The Power of Babel; Our Magnificent Bastard Tongue; Words on the Move; Talking Back, Talking Black; and The Creole Debate.

A barbed rebuttal to the conservative view that popular culture is destroying the English language.

Challenging an enduring paradigm among linguists, this text explores the origins of plantation creole. It proposes that the "limited access model" of creole genesis is seriously flawed.

Yet over the last forty years, the English-language has effectively gone into reverse - taking our lead from America and the legacy of the 1960s, our culture increasingly privileges the oral over the written, spurning the art of elaborated, 'written'-style language in favour of returning to the state of a spoken culture.