Bøker av John Galsworthy

The Mob: A Play in Four Acts, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

The Silver Box' is the first play in a series written by John Galsworthy. The play is a social commentary on the injustice and inequality in British society at the turn of the 20th century. The story revolves around the theft of a silver cigarette box from a wealthy man and the subsequent trial of the thief. Through the characters and their actions, Galsworthy highlights the contrast between the privileged and the less fortunate members of society. The play emphasizes the corruption and injustices prevalent in the legal system and how it often favors the wealthy and powerful over the poor and disadvantaged. Galsworthy uses 'The Silver Box' to highlight the societal issues of the time and advocate for social reform. The play challenges the audience to question their own beliefs and assumptions about justice and equality in society.

A Family Man' is a novel written by John Galsworthy that explores the institution of marriage and its effects on individuals and society. The novel centers around a family and their struggles with marriage and relationships. Throughout the novel, Galsworthy portrays marriage as an institution that has dehumanized individuals, particularly women who are often subjugated socially to their male counterparts. The female characters in the novel are depicted as being trapped in unhappy marriages, where they are unable to pursue their own interests or fulfill their own desires. Galsworthy's portrayal of marriage is critical of the social norms that require individuals to conform to traditional gender roles and expectations. The novel challenges the idea that marriage is the ultimate goal in life and suggests that it can be a source of misery and unhappiness for many.

"The Fugitive" is a four-act play by John Galsworthy, first performed in 1913. The play revolves around the romantic relationship between a married woman, and a successful but aging barrister who is aware of his wife's infidelity but chooses to ignore it. As the play progresses, the character's motivations and desires are revealed, leading to a tragic conclusion. His passion for her is not reciprocated, and he eventually leaves her. She cannot bear the shame of her actions, taking her own life. He is left to deal with the aftermath of his wife's death and confront his own role in her unhappiness. The play explores themes of love, desire, morality, and the consequences of one's actions. It also highlights the societal expectations placed on women and the limitations they face in pursuing their own happiness. Overall, "The Fugitive" is a poignant and thought-provoking examination of the human condition.

Saint's Progress by John Galsworthy has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

The Patrician by John Galsworthy has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

Loyalties by John Galsworthy has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

Soames Forsyte salió del hotel Knightsbridge, donde estaba parando, la tarde del 12 de mayo de 1920, con la intención de visitar una colección de cuadros que se exponía en una sala de la calle Cook. Desde la guerra, nunca tomaba un coche de alquiler si podía evitarlo. Los conductores eran, a su juicio, una pandilla de sujetos inciviles, que sólo se recivilizaban ahora que las restricciones desaparecían y la oferta volvía ya a exceder a la demanda, cosa que sucede forzosamente a los humanos. Sin embargo, no los había perdonado, identificándolos, como a todos los miembros de su clase, con la revolución. La ansiedad considerable que había pasado durante la guerra, y la mayor aún que estaba pasando desde el establecimiento de la paz, habían producido consecuencias psicológicas en una naturaleza que era tenaz. Había experimentado mentalmente tantas veces la ruina, que había dejado de creer en su probabilidad material. Pagando cuatro mil de impuestos al año, no se podía estar ya peor. Una fortuna de un cuarto de millón, sin más que mujer y una hija que sostener y en formas muy diversas invertidas, proporcionaba una considerable garantía contra aquella tontería que algunos propugnaban de la incautación de capitales. En cuanto a la confiscación de los beneficios de guerra, estaba por completo en pro de ella, pues él no había hecho ninguno. El precio de los cuadros, de haber cambiado, había sido para subir, y él había comprado muchos durante la guerra. Los ataques aéreos también habían ejercido influencia sobre un espíritu por naturaleza cauto y habían endurecido su carácter. El peligro de ser destrozado y dispersado inclina a las personas a tener menos miedo a los pequeños destrozos y dispersiones de los impuestos y tasas, mientras que la costumbre de maldecir a los alemanes le había llevado a la costumbre de maldecir a los laboristas, si no abiertamente, al menos en el fondo de su alma.

The Little Man: A Farcical Morality in Three Scenes, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

The Little Dream: An Allegory in Six Scenes, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

The residents of Villa Rubein lead a quiet and generally conventional existence until one spring day when Greta, twelve years old, outspoken, and inquisitive, follows her mischievous dog Scruff into a previously abandoned house and meets the painter Alois Harz. Harz is drawn into a friendship with the entire family, growing closer to all of them but especially nineteen-year-old Christian, who soon finds herself torn between her intense love for the painter and her love for her family.

A young boy's mind begins to awaken to love and beauty; an old man cherishes a final season of companionship as the end of his life draws near. These two stories by John Galsworthy, set nearly two decades apart, probe the emotions connected to family, passion, and art as they are deeply felt by both grandson and grandfather, who never meet each other but are tied together through their family history. The works form the interludes of the author's celebrated Forsyte Saga, but readers will discover each also stands alone as a captivating work of fiction.

Soames Forsyte's exquisite goods collection is most cherished by his wife, the mysterious Irene. However, her passion for Bosinney, a destitute architect who entirely opposes the Forsyte principles, sets off a chain of events that can only result in embarrassment and catastrophe. Gordon's opinions were greatly influenced by Robertson, who thought that missionaries were the only people who could change the settlers' lackadaisical attitudes toward sporadic church services and tepid spirituality. He rose to prominence as a supporter of the unification of the churches and social change in the West. As a result, the United Church of Canada was established in the 1920s as a reaction to the rising liberalism and secularization. Galsworthy engages the reader in a game. He is content to give us access to the thoughts of many characters, but not Irene. Therefore, we will have to make an educated assumption as to why she specifically started to despise her spouse. Soames claims to have no explanation. In a work that generally is content to toss enormous baleful of information out the back of the brougham, it is an infuriating but very purposeful withholding of information.