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  • av John Foy
    287,-

    "In John Foy's Night Vision, wars go on in the Middle East, violence is never far away, and the creatures of the field are "much the worse / for having been beneath the rotor blades. "Written in an uncluttered idiom, these poems, technically adept, play across a range of forms in a voice that stands out for its bitter clarity and directness. They are by turns contemplative and savage, invoking Meister Eckhart but acknowledging that "we die like dogs in the deep snow." If they offer solace at all, it's in a plainspoken, dark humor.The result is an emotional immediacy unique in American poetry"--

  • av John Foy
    225,-

    John Foy's newest collection is a tour de force of formal poetry, offering a blend of wit, cleverness, and deftness. Working in the lineage of poets like Billy Collins, Robert Frost, Frank O'Hara, W. H. Auden, and Elizabeth Bishop, Foy probes everyday experiences to generate compassionate, clever, and deeply knowing verse. While moments in No One Leaves the World Unhurt may appear absurd or even funny on the surface--such as a psychological exploration of the Lord of the Rings character Gollum--beneath this lightheartedness lies a tone that is grim and foreboding. Foy satirizes various elements of contemporary society, reflecting on war, wandering through the Museum of Sex in New York with his wife, and plucking apart idiomatic speech, which he breaks down, saying "It is what it is. / It's not what it might have been." Influenced by pop art and fine art and his New York home, which forms the backdrop of many of these poems, Foy's vibrant collection is simultaneously philosophical, whimsical, serious, and searching.

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