Bøker av John Fox

Modern Bond retrospectives lazily tend to almost completely dismiss Roger Moore's tenure as James Bond. He is frequently called the 'worst' Bond and his movies are dismissed as Carry On style romps. Roger would even make light of this himself. The truth is though that Roger was a great Bond. Sure, he maybe made a couple of films too many and the comedic elements of his films sometimes got out of hand but the Roger Moore years constitute the most fun era of Bond. If you sit down and watch one of Roger's Bond films you are guaranteed to have a good time. Roger Moore's Bond is Christmas Day afternoon. John Barry, Ken Adam, Lewis Gilbert, Carly Simon, crazy stunts, quips, Caroline Munro in a helicopter, underwater bases, Jaws, Jane Seymour, the Lotus, parachutes, jet planes, space battles, crocodiles, ski chases, casinos, tuxedos, double-entendres. The Roger Moore era of Bond wasn't terrible or embarrassing. It was fantastic! In the book that follows we shall take a deep dive into the Roger Moore era of Bond and explore his tenure from start to finish. We'll assess the strengths and weaknesses of both Roger's Bond and his films but most of all this book is a celebration of Roger Moore's James Bond and the years he spent suavely karate chopping baddies in a selection of safari suits and cream flares. Roger's amazing contribution to the Bond franchise is far too often derided and mocked these days. This book will hopefully serve as an entertaining and robust defence of Roger Moore and his incarnation of James Bond.

My previous book No Time to Die - The Unofficial Companion offered a comprehensive look at the genesis, production, and seemingly endless release woes of the much anticipated 25th James Bond film. Here then is the sequel that everyone asked me to write. No Time to Die - The Unofficial Retrospective covers the final marketing campaign and actual release of No Time to Die and also offers a comprehensive analysis of the film itself, the box-office, fan reaction, the future of the Bond franchise, and much more besides.

In Happy Valley , a classic since it was first published. Has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

This is a story of Kentucky, in a settlement known as "Kingdom Come." It is a life rude, semi-barbarous; but natural and honest, from which often springs the flower of civilization."Chad," the "little shepherd" did not know who he was nor whence he came--he had just wandered from door to door since early childhood, seeking shelter with kindly mountaineers who gladly fathered and mothered this waif about whom there was such a mystery--a charming waif, by the way, who could play the banjo better that anyone else in the mountains. This book is more than the moving story of a Kentucky mountain boy who fights to save the Union. Even the Civil War itself is but an epic stage for the novel's main business--the testing and maturation of a hero as American as Huck Finn or Tom Sawyer. Newly designed and typeset by Waking Lion Press.

Timothy Dalton's James Bond - The Retrospective examines the history of Timothy Dalton's relationship with the James Bond franchise from his early days as an actor (amazingly, Dalton was a potential Bond candidate as early as 1968) through to his eventual casting. We'll also take a thorough look at his Bond films from their production to release and see what worked and what didn't. This book will also look at the various doomed plans for a third Timothy Dalton Bond film and examine why Dalton left the role in the end. Most of all, this book is a celebration of Timothy Dalton's James Bond. So, let's tell the incredible story of the most underrated Bond of them all!

The enduring success of the James Bond franchise has made the casting of a new Bond actor a very big deal in the film and entertainment industry. Tabloids and entertainment clickbait sites love nothing more than constantly speculating (wrongly of course) on who the next Bond actor might be. Taking on the part of James Bond is like playing the lead in Hamlet, Doctor Who, Sherlock Holmes, or Batman. Others have played the part before you and others will play the part after you. Speculation about the next incumbent is therefore inevitable, unavoidable, and endless. It is a constant background hum even when someone else actually has the part. More people have walked on the moon than played James Bond. Despite the longevity of the franchise the Bond actors themselves remain a small and exclusive club. There are however dozens of actors who might potentially have played James Bond through the decades if only fate hadn't intervened. In the book which follows we will leave no stone unturned in an attempt to find out how many potential Bond actors there have been since 1962. There is a fascinating alternative cinema universe where the Bond actors are completely different from the ones we ended up with in our own familiar movie dimension. In this book we will explore what that alternative James Bond universe might plausibly have looked like.

Using known and new evidence, John Fox provides the first biography of this extraordinary woman, a forgotten key player in the English Civil War.

The days of that April had been days of mist and rain. Sometimes, for hours, there would come a miracle of blue sky, white cloud, and yellow light, but always between dark and dark the rain would fall and the mist creep up the mountains and steam from the tops-only to roll together from either range, drip back into the valleys, and lift, straightway, as mist again. So that, all the while Nature was trying to give lustier life to every living thing in the lowland Bluegrass, all the while a gaunt skeleton was stalking down the Cumberland-tapping with fleshless knuckles, now at some unlovely cottage of faded white and green, and now at a log cabin, stark and gray. Passing the mouth of Lonesome, he flashed his scythe into its unlifting shadows and went stalking on. High up, at the source of the dismal little stream, the point of the shining blade darted thrice into the open door of a cabin set deep into a shaggy flank of Black Mountain, and three spirits, within, were quickly loosed from aching flesh for the long flight into the unknown.

'Let him without sin cast the first stone.''Man shall not live by bread alone.''For the measure you give shall be the measure you get.'You may have heard these phrases before. Maybe even quoted (or perhaps mis-quoted) a saying or two yourself. And if you thought about it at all, wondered if it was Shakespeare? Maybe Plato, or Socrates perhaps? No, they are from a Middle Eastern man, unknown even in His own country, from a poor family, who learnt carpentry from His father. Suddenly at thirty he took a mid-life career change and became an itinerent prophet and teacher. He had no earthly influence - the religous establishment found him a puzzle and a threat to their power. Despite all this; the three and a half years of His public life had such an impact that for two thousand years after his death, history was broken into two: BC, before he came along, and AD, after his birth.Just what did He actually say?... Jesus' philosophical sayings are right here, see for yourself.

Welfare State International, the Cumbrian theatre company, creates celebratory art and theatre, from carnivals, lantern processions and rites of passage, to flags, banners and pyrotechnics. This mixture of personal stories, instructions, poems and sketches is a practical guide to their production.

From the pioneering Danville surgeon Ephraim McDowell, the first doctor to successfully perform abdominal surgery, and Luke Blackburn, dubbed the "Hero of Hickman" and elected governor in 1879 after his efforts to combat yellow fever, to contemporary Kent

The Alvis company of Coventry were motor and aero engineers who made some of the finest motor cars during the period 1920 to 1967, when car production stopped. There were no independent coachbuilders left and mass production was not for Alvis. Total production was a mere 21,250 and fewer than 7,000 after the Second World War. It is the post-war cars that this book focuses on. The successor to Alvis's iconic Fourteen, the Three Litre, had a production run of seventeen years and the newest is now nearly fifty years old. John Fox offers a fascinating look at both technical and historical aspects of Alvis cars during this period, utilising rare archival and modern photographs.