Bøker av John E. Drabinski

Presents a series of Godard films as interventions in contemporary debate about the language of difference. This book argues that Godard's conception and practice of cinematic language opens important possibilities for thinking about radical alterity.

Argues that Godard's conception and practice of cinematic language opens fresh, important possibilities for thinking about radical alterity. This book reads a series of Godard films as interventions in contemporary debate about the language of difference.