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Offers a new archipelagic history of twentieth-century literature in Britain and IrelandArchipelagic Modernism examines the anglophone literatures of the archipelago from 1890 to 1970 for what they tell us about changing identities, geographies, and ecologies. The book argues that these literatures constitute an important resource for how we might begin to think about alternative political geographies, and alternative practices of belonging to place and environment. From the height of the British Empire in 1890, to the increasing sense by 1970 of the imminent 'break-up' of Britain, 'archipelagic modernism' turned to the 'peripheral' spaces of islands, coastlines, and the sea to re-invent the Irish and British archipelago as a plural and connective space.Key Features:Interdisciplinary particularly the relationships between literature, ecology, and geography Offers a new interpretation of how literature engages with place and environment in the 20thCIncludes major new interpretations of key modernist writers such as Yeats, Synge, Joyce, and Woolf, and gives canonical examples of archipelagic modernism accessible to the classroom Exploratory the book explores archipelagic narratives of literary history as a new model for understanding 20thC British and Irish literatures, and opens up ways of critically evaluating conventional literary histories of 'EngLit' and national literatures
Race in Modern Irish Literature and Culture presents a radical re-reading of the cultural history of the Irish state, by demonstrating through original historical research and insightful new readings of key literary and artistic works that race has been central to the ways in which modern Ireland has defined itself. John Brannigan examines the tropes of racial identity and racist distinction that underpin modern expressions of Irishness, and shows how a persistent concern with racial ideologies can be traced through twentieth-century Irish culture. In this study, Ulysses is read anew in the context of the gathering of the Irish Race Congress in Paris, and the formation of the Irish Free State in 1922. The works of Liam O'Flaherty, Samuel Beckett, W.B. Yeats and Jack Yeats are shown to engage critically with anthropological representations of 'the Irish face'. Brannigan reads a wide range of mid-century fiction as part of a public discourse about 'foreign bodies', and goes on to examine the critical conversations taking place in the sixties and seventies about figurations of blackness in Irish culture. A provocative revision of modern Irish cultural history, this book makes challenging interventions in Irish studies, literary and cultural studies, and critical race studies. .Key Features:*Provides new research on the social history of racial ideologies and racist expressions in the Irish state since 1922*Offers new readings of Irish cultural productions and literary texts (by James Joyce, W.B. Yeats, Samuel Beckett, Liam O'Flaherty, Kate O'Brien, Edna O'Brien, Brendan Behan, James Plunkett, Paul Durcan, Austin Clarke, Aidan Higgins, Denis Johnston, and others) emphasising how they engage with the histories of Irish racism and raciology*Demonstrates how a new understanding of the constitutive role of race and racism in modern Irish culture might necessitate a revision of the dominant precepts and trends in contemporary Irish studies*Addresses the significa
This book offers readings of Barker's innovations in narrative form, her revisionist perspectives on history, class and gender, and her preoccupation with themes of trauma, haunting and terror. It also analyzes the reasons for her success and significance as a novelist. The chapters draw on contemporary theories of critical realism, gender and social identities, memory and narrative, in order to outline the debates with which Barker's work has consistently engaged.
Providing detailed coverage of the main political and religious issues of the age, this new edition has expanded sections on Ireland and Scotland, ensuring the text considers Britain as a whole. There is extra coverage of economic and social topics.
York Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.
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