Bøker av John Berger

How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever. "e;Seeing comes before words. The child looks and recognizes before it can speak."e;"e;But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled."e; John Berger's Ways of Seeing is one of the most stimulating and influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "e;This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures."e; By now he has.

John Berger's writings on photography are some of the most original of the twentieth century. This selection contains many groundbreaking essays and previously uncollected pieces written for exhibitions and catalogues in which Berger probes the work of photographers such as Henri Cartier-Bresson and W. Eugene Smith - and the lives of those photographed - with fierce engagement, intensity and tenderness.The selection is made and introduced by Geoff Dyer, author of the award-winning The Ongoing Moment.How do we see the world around us? This is one of a number of pivotal works by creative thinkers whose writings on art, design and the media have changed our vision for ever.John Berger was born in London in 1926. His acclaimed works of both fiction and non-fiction include the seminal Ways of Seeing and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he now lives in a small village in the French Alps.Geoff Dyer is the author of four novels and several non-fiction books. Winner of the Lannan Literary Award, the International Centre of Photography's 2006 Infinity Award and the American Academy of Arts and Letters's E. M. Forster Award, Dyer is also a regular contributor to many publications in the UK and the US. He lives in London.

A collection of linked stories, encounters, journeys and perceptions that bear testament to the extraordinary creativity of this Booker-winning writer

Booker wining novelist, playwright, essayist, poet and critic - even admirers rarely know John Berger in all his literary incarnations. This collection of essays takes a look at his career. Berger's wide-ranging essays emphasise the continuities that have underpinned more than 40 years of tireless intellectual inquiry and political engagement.

A major new work from the world's leading writer on artLandscapes, the companion volume to John Berger's highly acclaimed Portraits, explores what art tells us about ourselves. ';Berger's work is an invitation to reimagine; to see in different ways,' writes Tom Overton in the introduction to this volume. As a master storyteller and thinker John Berger challenges readers to rethink their every assumption about the role of creativity in our lives. In this brilliant collection of diverse piecesessays, short stories, poems, translationswhich spans a lifetime's engagement with art, John Berger reveals how he came to his own unique way of seeing. He pays homage to the writers and thinkers who infuenced him, such as Walter Benjamin, Rosa Luxemburg and Bertolt Brecht. His expansive perspective takes in artistic movements and individual artistsfrom the Renaissance to the presentwhile never neglecting the social and political context of their creation. Berger pushes at the limits of art writing, demonstrating beautifully how his artist's eye makes him a storyteller in these essays, rather than a critic. With ';landscape' as an animating, liberating metaphor rather than a rigid defnition, this collection surveys the aesthetic landscapes that have informed, challenged and nourished John Berger's understanding of the world. Landscapesalongside Portraitscompletes a tour through the history of art that will be an intellectual benchmark for many years to come.

A reissued edition of this classic Booker Prize-winning novel

Explores how the ancient relationship between man and nature has been broken in the modern consumer age, with the animals that used to be at the centre of our existence now marginalized and reduced to spectacle.

This is a collection of fragments about time and space by a writer and critic.

Compelling and intimate, this collection of letters between the celebrated art critic and essayist John Berger and his son Yves, an artist, is a moving look at their musings on art, memory, life, death, and beyond. Composed of letters written between 2015 and 2016, some of the last written by John Berger, along with images of works by old masters and contemporary art and some of the Bergers' own drawings and watercolours, Over to You is an informal back-and-forth not unlike the ping-pong games father and son used to play in the barn of their house. It begins when John, who is in a Parisian suburb, sends Yves, who is in Haute-Savoie, an envelope of reproductions of art that have moved him. And so they begin to reveal their thoughts, looking at works by Goya, Watteau, Twombly, Joan Mitchell, Dürer, Caravaggio, Manet, and Euan Uglow, among many others. But the art is just a way to summon shared emotions and memories, as well as deepen their understanding of the world and its mysteries. John, at eighty-nine, is the more formal teacher; Yves, at thirty-nine, is the younger, philosophical artist. There are John's thoughts on everything from the use of colour, light and space in, say, a Dürer or a Beckmann to the question of 'staying fully alive.' Yves notes how much in life exceeds our understanding, the gap between our consciousness and our feeling, between the said and the unsaid. 'That's the zone where I would like us to meet. Are you coming?' he asks his father. 'I may need other eyes to confirm what is really there. Like your eyes always did.'This is an exceptional and moving tribute to a relationship between a father and a son, and between two artists, as well as a thought-provoking look at questions we all have about work, time, the universe, life, and death.

When the Japanese Empire went to war with the Allies in December 1941, it had already been fighting in China for 10 years. During that time it had conquered huge areas of China, and subjugated millions of people. The Japanese needed to control the Chinese population in these occupied territories, and for this reason they set up governments from amongst the leaders of the Chinese who were willing to co-operate with them. These so-called 'puppet' governments were designed to rule on behalf of the Japanese while firmly under their overall control. In turn, the 'puppet' governments needed their own 'independent' armed forces. These 'puppet' armies were large in number, reaching a total of well over 1 million before 1945. Although poorly-armed and equipped, these forces had an influence on the Japanese war effort through sheer numbers.The Chinese 'puppet' soldiers ranged from the well-drilled and trained regular Army of the Last Emperor of China, Pu Yi, who ruled the newly-formed state of Manchukuo, 1932-45, to the irregular Mongol cavalry who served alongside Japanese troops in the 'secret war' waged in the Mongolian hinterlands.The troops were dismissed as traitors by the Chinese fighting the Japanese, and they were equally despised by the Japanese themselves. The troops were motivated by a range of reasons, from simple survival to a loyalty to their commander. The fact that so many Chinese were willing to fight for the Japanese was embarrassing to all sides, and for this reason has been largely ignored in previous histories of the war in the East. In the first of a three volume series, Philip Jowett tells the story of the Chinese who fought for the Japanese over a 14 year period.

John Berger¿s essay is an extended reflection on shit as an emblem of what it means to be human.

From the 1972 Booker Prize-winning author comes an examination of masculinity, social covenants and murder that develops into a masterclass in humanity

A major history of art from one of the world's leading writers and art critics

What Time Is It? is a playful meditation on the illusory nature of time. In this beautiful essay in pictures, Berger posits the idea that by experiencing the extraordinary, we can defy time itself.

'It's an improbable city, Bologna - like one you might walk through after you have died.'A dreamlike meditation on memory, food, paintings, a fond uncle and the improbable beauty of Bologna, from the visionary thinker and art critic.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

This is a collection of portraits of a shepherd, a farmer, a painter and blind man, a sylph of Byzantine arrogance and a vagabond cyclist with primroses growing in her basket. The backgrounds range from Prague, Paris, Athens and Lahore, to countrysides and mountainscapes.

Offers a furious homage to the homeless and a lyrical meditation on language and experience.

Set in a small village in the French Alps, this book relates the stories of sceptical, hard-working men and fiercely independent women.

Following the success of Cataract, John Berger, one of the great soothsayers of seeing, joins forces again with Turkish illustrator Selcuk Demirel. This charming pictorial essay reflects on the cultural implications of smoking. A subtle and beautifully illustrated prose poem, Smoke lingers in the mind.

'Language is a body, a living creature ... and this creature's home is the inarticulate as well as the articulate'. John Berger's work has revolutionized the way we understand visual language. In this new book he writes about language itself, and how it relates to thought, art, song, storytelling and political discourse today. Also containing Berger's own drawings, notes, memories and reflections on everything from Albert Camus to global capitalism, Confabulations takes us to what is 'true, essential and urgent'.

Berger's exploration of what it means to heal, now inducted into the Canons series nearly fifty years after its first publication

A new edition of John Berger and Jean Mohr's classic investigation into the nature of photography and what makes it so different from other art forms'One of the world's most influential art critics . Berger sees clearly with fresh surprise yet profound understanding' Washington TimesIn one of the most eloquent accounts of photography ever devised, the writer John Berger and the photographer Jean Mohr set out to understand the fundamental nature of photography and how it makes its impact. Asking a range of questions - What is a photograph? What do photographs mean? How can they be used? - they give their answers in terms of a photograph as 'a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photography are often contradictory'. From these beginnings they develop a theory of photography that has at its centre the form's essential ambiguity, arguing that photography is totally unlike a film and has nothing to do with reportage. Rather, it constitutes 'another way of telling'.The unique combination of critic and photographer results in a work that moves beyond the landmarks established by Walter Benjamin, Roland Barthes and Susan Sontag to establish a new theory of photography.This unique combination of words and pictures includes 230 photographs by Jean Mohr.

The great art critic and writer John Berger joined forces again with Turkish writer and illustrator Selçuk Demirel in this unexpected pictorial essay.What happens when an art critic loses some of his sight to cataracts? What wonders are glimpsed once vision is restored?In this impressionistic essay written in the spirit of Montaigne, John Berger, whose treatises on seeing have shaped cultural and media studies for four decades, records the effects of cataract removal operations on each of his eyes. The result is an illuminated take on perception. Berger ponders how we can become accustomed to a loss of sense until a dulled world becomes the norm, and describes the sudden richness of reawakened sight with acute attention to sensory detail.This wise little book beckons us to pay close attention to our own senses and wonder at their significance as we follow Berger's journey into a more vivid, differentiated way of seeing. Demirel's witty illustrations complement the text, creating a mini-world where eyes take on whimsical lives of their own. The result is a collaborative collectors' piece perfect for every reader’s bedside table. This title completes a trilogy of books by Berger and Demirel. Smoke was published in 2018, and What Time Is It? was published in 2019.