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"With his long hair and penchant for guitar, teenage Justin is the spitting image of his idol, Kurt Cobain--a resemblance that has often marked him an outcast. When the long-simmering abuse from his uncle finally boils over, Justin has no choice but to break free--in a violent act that will haunt him--and try to make it on his own as a runaway. Meanwhile, in rural Montana, Rene Bouchard, a rancher nearing retirement, grieves the recent death of his wife. Her passing has revealed precisely how fractured the family has become--particularly the relationship between Rene and his daughter Lianne. As old wounds ache anew, father and daughter begin to doubt the possibility of reconciliation. ... Justin's wanderings bring him to the Bouchard family ranch, and soon Rene and Lianne take the boy in as their own. But before long, Justin's past threatens to catch up with him"--
Though Joe Wilkins's new collection of short fiction set under the big Montana sky may have all the trappings of a traditional Western-long shots of sage flats and blue mountains, late nights at the dingy local watering hole, and a hard-working cowboy making time with the boss's daughter-FAR ENOUGH is far from traditional. A series of short prose fragments told from several viewpoints, FAR ENOUGH follows Willie Benson, Wade Newman, and young Jackie Newman as they crisscross the high plains of eastern Montana, each searching for something to hold onto. Wilkins's narratives-splintered, wending, intertwined-sprawl out beneath a huge, dazzling sky filled with "blue lightning run the wrong way, red eruptions and the slow fade to gold, a white ache along the horizon." Poetic, darkly humorous, subversive-FAR ENOUGH is a Western for our time.
For readers of My Absolute Darling, Fourth of July Creek, and The Story of Edgar Sawtelle, a Montana story about the unbreakable bond between a young man and the abandoned boy put in his care, as old grievances of land and blood are visited upon them.
A book that interrogates the idea of America--especially our westering, both historical and contemporary.
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