Bøker av Jill Franks

Enormous social changes during the Victorian era inspired some of the finest novels in the English language. In the final decades of the century, rigid application of gender rules and class hierarchies began to relax. Consciousness of the injustice of class- and gender-based discrimination was growing. Meanwhile, bias against nonwhite peoples was worsening. The British used scientific racism to justify their relentless expansion in Africa and Asia. Viewing Victorian literature through the lens of these social changes gives the modern reader a fresh way to interpret the novels and to appreciate their relevance to contemporary issues. Nineteenth-century novelists deployed realism, satire, and the bildungsroman to resist or support leading ideologies of their time, including the separate spheres doctrine and British supremacism. Each chapter is an elaboration of the author's university lectures about Victorian classics. The tone is scholarly yet conversational, directed to the undergraduate student as well as the general reader or Victoriaphile. The text presents concepts in interdisciplinary cultural studies, discusses the uses of genre for rhetorical and social purposes, and exposes paradoxes of the era. The coherent style, abundant examples, discussion questions, and literary glossary make this book a valuable supplement for readers of the Victorian novel.

The comic archetype of the Little Man - a "nobody" who stands up to unfairness - is central to the films of Woody Allen and Charlie Chaplin. Drawing on psychoanalysis and gender-studies, this book explores their films as barometers of their respective cultural moments, marking the shift between modernism and postmodernism.

Examines five modernists in different disciplines - biology, painting, drama, fiction, and anthropology - whose work on islands made them famous. This text explores the extent to which islands inspired these radical thinkers - Charles Darwin, Paul Gauguin, John Millington Synge, DH Lawrence, and Margaret Mead - to perform innovative work.

This study pairs selected Irish and British women novelists, relating their voices to the women's movements in their respective nations. In the first wave, nationalist and militant ideologies competed with the suffrage fight in Ireland. In the second wave, heterosexual romantic relationships come under scrutiny. In the third wave, Irish writers express the frustrations of their cultural identity.