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This book argues that the production of media content, literature, and other forms of popular culture by Indigenous peoples (IPs), as well as their involvement as advisors, sources, or interviewees, serves as a platform for them not only to showcase their creativity but also to mediate their cultures, identities, worldviews, and activism. Through an examination of specific case studies of indigenous media and popular culture in the Philippines using textual and ethnographic methods, the chapters in this book shed light on the politics of representation, narratives of resistance, and self-representation and mediation of indigeneity and culture. They emphasize the crucial importance of addressing these issues to promote the recognition and empowerment of IPs, not only within the Philippines but also across Southeast Asia and the global context.
This book addresses the increasingly important subject of ecomedia by critically examining the interconnections between environment, ecology, media forms, and popular culture in the Southeast Asian region, exploring methods such as textual analysis, thematic analysis, content analysis, participatory ethnography, auto ethnography, and semi-structured interviewing. It is divided into four sections: I. Activism, Environment, and Indigeneity; II. Political, Ecologies and Urban Spaces; III. Narratives, Discourses, and Aesthetics; and IV. Imperialism, Nationalism, and Islands, covering topics such as broadcast media (radio and TV) and the environment; green cinema and ecodocumentaries, ecodigital art, digital environmental literature. It is of great interest to researchers, students, practitioners and scholars working in the area of humanities, media, communications, cultural studies, environmental humanities, environmental studies, and sustainability.
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