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At once a gripping metaphysical mystery of Depression-era New York and a tender ode to our dying future, James Reich's The Moth for the Star is by turns horrifying and poignant, coldly thrilling and richly evocative. Charles Varnas is a murderer who cannot recall his victim. His cool, androgynous conspirator Campbell may hold the secret. Haunted and dissolute, they struggle to come to terms with the psychic weight of their crime. With a control of language and rhythm few can match, Reich transports his readers from the streets of Cairo to the canals of Venice, from the heights of Manhattan's Chrysler Building to the shadow of the Sphinx. The Moth for the Star is a dark, sprawling romance, riddled with paranormal drama, a singular work destined to remain with you long after reading.
Set against a haunting Martian landscape, The Song My Enemies Sing is a surreal, disquieting science fiction vision of murder, revolution, manipulation and mystery. Ray Spector's search for meaning leads him to a teenage Black Panther named Eli Jones, the missionary Philipé Olmos, sometime television star Richard Parish, and Ingrid Auer, who dreams of becoming a terrorist. Under the shimmering Grid drawn by the swarm satellites encircling the planet, with fading memories of an apocalyptic California, the Australian outback, and the jungles of Mexico, their obsessions form strange patterns, dangerous relationships, and alliances across time and species. Science fiction legend Barry N. Malzberg, the first recipient of the John W. Campbell Award, describes James Reich's fifth novel "as a history of science fiction form, origin and development, and merciless in its refusal to pander to the easier implications of its material." In the lineage of Ray Bradbury's The Martian Chronicles, William Burroughs' Nova trilogy, J.G. Ballard and Philip K. Dick, these distant episodes will possess you.
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