Bøker av James Branch Cabell

From the introduction: "In a letter dated December 12, 1920, Deems Taylor wrote, 'I have finished Jurgen; a great and beautiful book, and the saddest book I ever read. I don't know why, exactly. The book hurts me--tears me to small pieces--but somehow it sets me free. It tells me everything I am, and have been, and may be, unsparingly.' Jurgen wrestles, in its odd way, with the fundamental tragedy of human life in general and male life in particular: We are doomed to age and die; meanwhile happiness will prove elusive. Jurgen isn't for everyone. Some will "get it" and some won't. It's a story of fantastic adventures, but it will be fully appreciated only by those who are stirred by symbol and metaphor. We may not be prancing through a magical world as Jurgen does, but some of us will see echoes of our own dreams and nightmares in his story. If you're such a person, then Jurgen may hit you like a ton of bricks. For those who are interested, some rabid fans (of which there are many) put together a collection of explanatory footnotes in 1928, and these have been included in this edition. It's worth noting that Jurgen is obscurely suggestive without being explicit; it went over the heads of some, but others saw what was going on, and they either guffawed or objected vigorously. There were serious attempts to suppress it, which of course only made the text notorious. It was (and still is) politically incorrect, and it garnered something of a counter-cultural following for all the wrong reasons. Well, so be it. The book is among the greatest works of fantasy, and that's all there is to say." Along with the notes, this edition of Jurgen includes the classic illustrations of Frank C. Pape and a map of Jurgen's land, making this the most complete version of the book ever published. Newly designed and beautifully typeset in a 6-by-9-inch format by Waking Lion Press.

James Branch Cabell (1879-1958) was an American author of fantasy fiction and belles lettres. He worked from 1898 to 1900 as a newpaper reporter in New York City, but returned to Richmond in 1901, where he worked several months on the staff of the Richmond News. In 1902, seven of his first stories appeared in national magazines and over the next decade he wrote many short stories and articles, contributing to nationally published magazines including Harper's Monthly Magazine and The Saturday Evening Post, as well as carrying out extensive research on his family's genealogy. In the early 1920s he became the leader of a group of writers known as "The James Branch Cabell School", which included such figures as H. L. Mencken, Carl Van Vechten and Elinor Wylie.

James Branch Cabell (1879-1958) was an American author of fantasy fiction and belles lettres. He worked from 1898 to 1900 as a newpaper reporter in New York City, but returned to Richmond in 1901, where he worked several months on the staff of the Richmond News. In 1902, seven of his first stories appeared in national magazines and over the next decade he wrote many short stories and articles, contributing to nationally published magazines including Harper's Monthly Magazine and The Saturday Evening Post, as well as carrying out extensive research on his family's genealogy. In the early 1920s he became the leader of a group of writers known as "The James Branch Cabell School", which included such figures as H. L. Mencken, Carl Van Vechten and Elinor Wylie.

James Branch Cabell (1879-1958) was an American author of fantasy fiction and belles lettres. He worked from 1898 to 1900 as a newpaper reporter in New York City, but returned to Richmond in 1901, where he worked several months on the staff of the Richmond News. In 1902, seven of his first stories appeared in national magazines and over the next decade he wrote many short stories and articles, contributing to nationally published magazines including Harper's Monthly Magazine and The Saturday Evening Post, as well as carrying out extensive research on his family's genealogy. In the early 1920s he became the leader of a group of writers known as "The James Branch Cabell School", which included such figures as H. L. Mencken, Carl Van Vechten and Elinor Wylie.

James Branch Cabell (1879-1958) was an American author of fantasy fiction and belles lettres. He worked from 1898 to 1900 as a newpaper reporter in New York City, but returned to Richmond in 1901, where he worked several months on the staff of the Richmond News. In 1902, seven of his first stories appeared in national magazines and over the next decade he wrote many short stories and articles, contributing to nationally published magazines including Harper's Monthly Magazine and The Saturday Evening Post, as well as carrying out extensive research on his family's genealogy. In the early 1920s he became the leader of a group of writers known as "The James Branch Cabell School", which included such figures as H. L. Mencken, Carl Van Vechten and Elinor Wylie.

James Branch Cabell (1879-1958) was an American author of fantasy fiction and belles lettres. He worked from 1898 to 1900 as a newpaper reporter in New York City, but returned to Richmond in 1901, where he worked several months on the staff of the Richmond News. In 1902, seven of his first stories appeared in national magazines and over the next decade he wrote many short stories and articles, contributing to nationally published magazines including Harper's Monthly Magazine and The Saturday Evening Post, as well as carrying out extensive research on his family's genealogy. In the early 1920s he became the leader of a group of writers known as "The James Branch Cabell School", which included such figures as H. L. Mencken, Carl Van Vechten and Elinor Wylie.

Domnei: A Comedy of Woman-Worship (1920) is a comic fantasy novel by James Branch Cabell. Set in a world where history and fantasy collide, where a lowly swineherd can rise to be Count of Poictesme, Domnei: A Comedy of Woman-Worship is one of Cabell's best-known works of fiction, and is included in a series of novels, essays, and poems known as the Biography of the Life of Manuel. "Then Perion knew that vain regret had turned his brain, very certainly, for it seemed the door had opened and Dame Melicent herself had come, warily, into the panelled gloomy room. It seemed that Melicent paused in the convulsive brilliancy of the firelight, and stayed thus with vaguely troubled eyes like those of a child newly wakened from sleep." As the daughter of the legendary Dom Manuel, Count of Poictesme, Melicent is often seen not for the woman she is, but as a symbol of an idealized, courtly love. Attracting the most chivalrous men of the kingdom, she unwittingly sparks a terrible conflict between Perion de la Forêt and Demetrios of Anatolia, both of whom seem determined to prove their love at any cost. Set in a fictionalized France of the 13th century, Domnei: A Comedy of Woman-Worship is a captivating story of fantasy and adventure featuring a flawed hero whose mythical world is not entirely different from our own. Cabell's work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read Domnei: A Comedy of Woman-Worship, however, is to understand that the issues therein-the struggle for power, the unspoken distance between men and women-were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell's Domnei: A Comedy of Woman-Worship is a classic of fantasy and romance reimagined for modern readers.

Figures of Earth: A Comedy of Appearances (1921) is a comic fantasy novel by James Branch Cabell. Set in a world where history and fantasy collide, where a lowly swineherd can rise to be Count of Poictesme, Figures of Earth: A Comedy of Appearances is one of Cabell¿s best-known works of fiction, and is included in a series of novels, essays, and poems known as the Biography of the Life of Manuel. ¿They of Poictesme narrate that in the old days when miracles were as common as fruit pies, young Manuel was a swineherd, living modestly in attendance upon the miller's pigs. They tell also that Manuel was content enough: he knew not of the fate which was reserved for him.¿ Unsatisfied with life as a lowly swineherd, Manuel follows his heart in pursuit of place where true happiness exists. A proponent of medieval chivalry, he encounters gods and goddesses, kings and queens, as he passes from one otherworldly realm to the next. As the chains of the past begin to fall away, Manuel discovers that through determination and valor, he can excel the circumstances of his humble birth. Set in a fictionalized France of the 13th century, Figures of Earth: A Comedy of Appearances is a captivating story of fantasy and adventurer featuring a flawed hero whose mythical world is not entirely different from our own. Cabell¿s work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read Figures of Earth: A Comedy of Appearances, however, is to understand that the issues therein¿the struggle for power, the unspoken distance between men and women¿were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell¿s Figures of Earth: A Comedy of Appearances is a classic of fantasy and romance reimagined for modern readers.

Gallantry (1922) is a collection of comic fantasy tales by James Branch Cabell. Set in a fictionalized version of 18th century England, Gallantry is a relative outlier among Cabell's body of work, and is included in a series of novels, essays, and poems known as the Biography of the Life of Manuel. "We begin at a time when George the Second was permitting Ormskirk and the Pelhams to govern England, and the Jacobites had not yet ceased to hope for another Stuart Restoration, and Mr. Washington was a promising young surveyor in the most loyal colony of Virginia." Moving away from his usual setting of 13th century France, Cabell transports his favorite themes of aristocratic life and romance to the tumultuous world of 18th century England. As the country rebuilds following a period of civil war, famine, and disease, its wealthy elite enjoy an existence of ease at Tunbridge Wells, a legendary spa town on the outskirts of London. Gallantry is a captivating collection of tales from a historical period not so different from our own. Cabell's work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read Gallantry, however, is to understand that the issues therein-the struggle for power, the unspoken distance between men and women-were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell's Gallantry is a classic of fantasy and romance reimagined for modern readers.

Jurgen, A Comedy of Justice (1919) is a comic fantasy novel by James Branch Cabell. Set in a world where history and fantasy collide, where a lowly pawnbroker can encounter monsters, gods, and devils, Jurgen, A Comedy of Justice is one of Cabell's best-known works of fiction. For several years after its initial publication, the novel was the subject of an obscenity trial pursued by the New York Society for the Suppression of Vice. In 1923, after winning his case, Cabell made sure to immortalize the event with a revised edition featuring a "lost" chapter where Jurgen is persecuted for his writing by grotesque Philistines. Jurgen, A Comedy of Justice is one work in a series of novels, essays, and poems known as the Biography of the Life of Manuel. "For now had come to Jurgen and the Centaur a gold-haired woman, clothed all in white, and walking alone. She was tall, and lovely and tender to regard: and hers was not the red and white comeliness of many ladies that were famed for beauty, but rather it had the even glow of ivory [...] to Jurgen this woman's countenance was in all things perfect. Perhaps this was because he never saw her as she was." Unsatisfied with life as a lowly pawnbroker, Jurgen follows his heart in pursuit of ideal love. A proponent of medieval chivalry, he encounters gods, goddesses, kings, and queens as he passes from one otherworldly realm to the next. On his wondrous journey, he meets some of the most celebrated women in history and literature, including Guinevere, Anaitis, and Helen of Troy. Jurgen, a wily poet and legendary lover with a head full of dreams and desires, is an allegorical figure for modern humanity, a flawed hero whose kaleidoscopic world is not entirely different from our own. Cabell's work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read Jurgen, A Comedy of Justice, however, is to understand that the issues therein-the struggle for power, the unspoken distance between men and women-were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell's Jurgen, A Comedy of Justice is a classic of fantasy and romance reimagined for modern readers.

James Branch Cabell (1879-1958) was an American author of fantasy fiction and belles lettres. He worked from 1898 to 1900 as a newpaper reporter in New York City, but returned to Richmond in 1901, where he worked several months on the staff of the Richmond News. In 1902, seven of his first stories appeared in national magazines and over the next decade he wrote many short stories and articles, contributing to nationally published magazines including Harper's Monthly Magazine and The Saturday Evening Post, as well as carrying out extensive research on his family's genealogy. In the early 1920s he became the leader of a group of writers known as "The James Branch Cabell School", which included such figures as H. L. Mencken, Carl Van Vechten and Elinor Wylie.

Taboo (1921) is a comic fantasy novel by James Branch Cabell. Set in a world where history and fantasy collide, where a lowly pawnbroker can encounter monsters, gods, and devils, Taboo is a follow up to Jurgen, A Comedy of Justice, which was the subject of an obscenity trial pursued by the New York Society for the Suppression of Vice. In 1923, after winning his case, Cabell made sure to immortalize the event with a revised edition featuring a ¿lost¿ chapter where Jurgen is persecuted for his writing by grotesque Philistines. In Taboo, one work in a series of novels, essays, and poems known as the Biography of the Life of Manuel, Cabell explores the cultural environment that led to his work¿s persecution, inventing a whole world in which to air his grievances. ¿Since time's beginning, every age has had its literary taboos, selecting certain things¿more or less arbitrarily, but usually some natural function¿as the things which must not be written about. To violate any such taboo so long as it stays prevalent is to be ¿indecent¿: and that seems absolutely all there is to say concerning this topic, apart from furnishing some impressive historical illustration...¿ While most authors in the midst of an obscenity trial would be content to let their lawyer do the talking, James Branch Cabell took the opportunity to reflect on the matter in the only way he knew how. In this work, written in the style of medieval history, Cabell tells the story of Philistia, a country dedicated to the persecution of all manner of ill-defined vice and taboo. Bold and satirical, this thinly veiled critique of his own, high-minded critics is essential to understanding Cabell¿s vision of art. Cabell¿s work has long been described as escapist, his novels and stories derided as fantastic and obsessive recreations of a world lost long ago. To read Taboo, however, is to understand that the issues therein¿the struggle for power, the unspoken distance between men and women¿were vastly important not only at the time of its publication, but in our own, divisive world. With a beautifully designed cover and professionally typeset manuscript, this edition of James Branch Cabell¿s Taboo is a classic of fantasy and romance reimagined for modern readers.