Bøker av Jacques (University of Paris VIII Ranciere

A collection of essays on art and politics. It shows how the author's ideas can be used to analyse contemporary trends in both art and politics, including the events surrounding 9/11, war in the contemporary consensual age, and the ethical turn of aesthetics and politics.

The Politics of Aesthetics rethinks the relationship between art and politics, reclaiming "aesthetics" from the narrow confines it is often reduced to. Jacques Rancière reveals its intrinsic link to politics by analysing what they both have in common: the delimitation of the visible and the invisible, the audible and the inaudible, the thinkable and the unthinkable, the possible and the impossible. Presented as a set of inter-linked interviews, The Politics of Aesthetics provides the most comprehensive introduction to Rancière's work to date, ranging across the history of art and politics from the Greek polis to the aesthetic revolution of the modern age. Available now in the Bloomsbury Revelations series 10 years after its original publication, The Politics of Aesthetics includes an afterword by Slavoj Zizek, an interview for the English edition, a glossary of technical terms and an extensive bibliography.

This lively and thought-provoking collection of interviews with Jacques Rancière provides the reader with an incisive overview of his philosophical project, from its beginnings during the Red Years in France to its most recent formulations. It supplements Rancière''s scholarly and theoretical works with his reflections on the continuities, turns, ruptures and deviations in his thought. In a conversational style replete with informative asides into current events Dissenting Words draws upon examples ranging from the history of the workers'' struggle to literature, cinema and the arts - all of which we have learned to associate with Rancière.

A study of the 19th century French poet and critic Stephane Mallarme. It presents Mallarme as neither an aesthete in need of rare essences and unheard-of words, nor the silent and nocturnal thinker of some poem too pure to be written.

Consensus does not mean peace. Instead it refers to a map of operations of war, of a topography of the visible, of what is possible and what can be thought, in which war and peace live side-by-side. This book explores the nature of consensus in contemporary politics. It aims to reopen that space wherein politics once more becomes thinkable.