Bøker av Ivan Turgenev

Considered to be among the world's greatest masters of fiction Turgenev's works explored the social issues that affected Russians during the nineteenth century, most notably the peasantry and the intelligentsia.

Also known as Spring Torrents, The Torrents of Spring focuses on the main protagonist Dimitry Sanin, a young Russian landowner who on his travels to Germany meets and falls in love with Gemma, an Italian living in Frankfurt.

Virgin Soil, written in 1877 and translated into English in 1896, was Ivan Turgenev's last novel and an appropriate end to his career as a novelist.

Virgin Soil, written in 1877 and translated into English in 1896, was Ivan Turgenev's last novel and an appropriate end to his career as a novelist.

First translated by Constance Garnett in 1895 Fathers and Children was published in 1862 in The Russian Messenger and provoked immediate controversy for its portrayal of the rise of the nihilist movement.

Rudin, Turgenev's first novel, is a subtle examination of human weakness which foreshadows many of the themes in the author's later work, with its lead character personifying the type of the "superfluous man" which came to dominate much of the literature of nineteenth-century Russia.

This lesser-known novella by one of the great masters of Russian literature and the author of Fathers and Children, now available to English readers in Hugh Aplin's lucid translation, is presented here with 'Yakov Pasynkov', another story exploring the nature of love and human relations.

When first published in 1862, this novel of a divided Russia, with peasants set against masters and fathers set against sons, caused great outrage. But its enduring legacy of social insight and conscience mixed with drama has given it universal appeal. Features an introduction by Anna Tolstoy in an exciting new Bantam Classics' package.

A social novel that is a sort of introduction to those that follow, because it refers to the epoch anterior to that when the social and political movements began.

On the Eve is set at the beginning of the Crimean War and probes the friendships and loves of Elena, a young Russian woman, and the men in her life.

That night I went home to my lodgings in a state of perfect ecstasy. I felt supremely happy, and was already making all sorts of plans in my head. If someone had whispered in my ear then: 'You're raving, my dear chap. That's not a bit what's in store for you. What's in store for you is to die all alone, in a wretched little cottage'.

Young Muscovite bachelor Yakov Aratov lives in contented solitude, until the arrival in town of the dazzling actress Clara Militch: 'She was all fire, all passion, and all contradiction; revengeful and kind; magnanimous and vindictive; she believed in fate - and did not believe in God'. Her beauty entrances him, beyond her tragic death.

A Sportsman's Sketches was a collection of short stories written by Ivan Turgenev in 1852. Based on his own observations riding around his family's estate the stories explore the difficult lives of the peasants and the Russian system of serfdom.

A Sportsman's Sketches was a collection of short stories written by Ivan Turgenev in 1852. Based on his own observations riding around his family's estate the stories explore the difficult lives of the peasants and the Russian system of serfdom.

A sequel to Rudin, A House of Gentlefolk was originally published in 1858 and was translated from the Russian by Constance Garnett in 1894.

The most cosmopolitan of all Turgenev's works Smoke sketches the intricacies of the aristocratic and Young Russia parties at a time when Russia was changing from the philosophical Nihilism of the 1860s to the more politically active Nihilism of the 1870s.

Stepniak states in his introduction to the text in 1894 Rudin's 'enthusiasm is contagious because it is sincere, and his eloquence is convincing because devotion to his ideals is an absorbing passion with him.

Michael R. Katz's acclaimed translation of Turgenev's greatest novel is again the basis for this Norton Critical Edition.

Knock, Knock, Knock and Other Stories includes Knock, Knock, Knock, The Inn, Lieutenant Yergunov's Story, The Dog and The Watch.

A difficult and uncompromising short tale by the Russian master Turgenev, and four additional tales. Five short tales by Turgenev: The Jew, An Unhappy Girl, The Duellist, Three Portraits and Enough, in Constance Garnett's classic 1900 translation.

Six tales written by Turgenev between 1847 and 1881, in Constance Garnett's classic 1899 translation: A Desperate Character, A Strange Story, Punin and Baburin, Old Portraits, The Brigadier and Pyetushkov.

"Turgenev (1818-1883) tends to be seen in Chekhov's shadow, yet his plays pre-date Chekhov's work by nearly half a century. A Month in the Country is Turgenev's acknowledged masterpiece. This selection not only reveals the extent of Turgenev's achievement as a dramatist, but sheds an interesting light on the great novels that followed.

When Arkady Petrovich comes home from college, his father finds his eager, naive son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend accompanying him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady's father by criticizing the landowning way of life and by his outspoken determination to sweep away the traditional values of contemporary Russian society. Turgenev's depiction of the conflict between generations and their ideals stunned readers when Fathers and Sons was first published in 1862. But many could sympathize with Arkady's fascination with the nihilistic hero whose story vividly captures the hopes and regrets of a changing Russia.

Turgenev's masterpiece about the conflict between generations is as fresh, outspoken, and exciting today as it was in when it was first published in 1862.

This volume contains two of the world's great love stories - FIRST LOVE, and SPRING TORRENTS, which show Turgenev at his very best. Simple, direct and tender, they record the pains and glories of youthful infatuation in a style which evokes exactly and in detail what it is like to be young and in love.

On one level the novel is about the homecoming of Lavretsky, who, broken and disillusioned by a failed marriage, returns to his estate and finds love again - only to lose it. The sense of loss and of unfulfilled promise, beautifully captured by Turgenev, reflects his underlying theme that humanity is not destined to experience happiness except as something ephemeral and inevitably doomed. On another level Turgenev is presenting the homecoming of a whole generation of young Russians who have fallen under the spell of European ideas that have uprooted them from Russia, their 'home', but have proved ultimately superfluous. In tragic bewilderment, they attempt to find reconciliation with their land.

Examines the conflict of attitudes in mid-19th-century Russia, as distant pre-echoes of the Revolution continue to rumble through the remote rural landscape. The story follows the Kirsanov family, representatives of the old regime, and the violent character of the anti-hero Bazarov.

Returning to Russia from Italy, twenty-three-year-old Dimitry Sanin breaks his journey in Frankfurt. There, he encounters the beautiful Gemma Roselli and falls in love. He decides to begin a new life and sell his Russian estates. But when he meets the potential buyer, Madame Polozov, his vulnerability makes him prey for a destructive infatuation.