Gjør som tusenvis av andre bokelskere
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.Du kan når som helst melde deg av våre nyhetsbrev.
This book will be the first dedicated study of the remarkable role of Georgian caricature in the equally remarkable Queen Caroline controversy of 1820-21. When the newly crowned George IV, formerly the Prince of Wales, refused to recognise his estranged wife Caroline as the rightful queen of the Britain, her refusal to rescind her claim to the throne provoked a huge campaign of sympathy and support that almost toppled the government. The British people rallied round the ¿injured¿ queen in their hundreds of thousands, and massed rallies, processions, protests and petitioning became daily news.The Queen Caroline controversy was the zenith of the ¿Golden Age¿ of caricature, a tour-de-force of imagination, wit, inventiveness and sheer political mischief. In image after image, Caroline triumphs over her cowardly and conniving enemies, subverting gender and political hierarchies, and giving a presence and voice to her unenfranchised followers. This book therefore aims tochronicle and analyse this achievement.
This book serves as a retrieval and reevaluation of a rich haul of comic caricatures from the turbulent years between the Reform Bill crisis of the early 1830s and the rise and fall of Chartism in the 1840s.
Provides a valuable insight into the condition of Britain in the early part of the nineteenth century. It includes original documents from a range of disciplines.
A comprehensive introduction to working-class literature over the last 150 years.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.