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Noted printmaker, activist and educator Hugh Merrill presents this volume on theories and activities for teaching Foundation at a university level in the arts. The journal presents assignments, discussions, directives, grading rubrics, and correlations to the greater art world and is accessible to both students and teachers. Full color photographs of students in studio, student work and more are included.
Hugh Merrill, internationally renowned printmaker and forerunner in the social practice art movement, writes this memoir focused on his formative years where he grew up in a high-profile, politically connected, wealthy white family in the deep Jim Crow South.
Hugh Merrill, internationally renowned printmaker and forerunner in the social practice art movement, writes and illustrates in full-color this memoir focused on his formative years where he grew up in a high-profile, politically connected, wealthy white family in the deep Jim Crow South.
Hugh Merrill explores his family connection to the Jim Crow south and connection to the legal lynching of Edgar Caldwell. Vivid illustrations accompanied with text make this an important social zine.
Dog Alley is a hybrid, full-color book of poems and paintings by the renowned artist Hugh Merrill. The poems are an intimate look at memory, aging, loss, privilege and sexuality all wrapped up in the potent and visceral language of emotion that only Merrill can achieve.
Hugh Merrill, the printmaker, has a dirty little secret: for many years, he has been covertly writing ... poetry. His debut book of poems, Nomadic? Rover by Days Singing These Gang Plank Songs of the Ambler, reflects the intense and unguarded energy of a vital artist and natural storyteller who has deep connections to both historic and current movements. His subject matter ranges from childhood memories of racial inequality to contemporary ideas of gender fluidity, and his absurd ditties tickle the what the fuck bone in all of us. Littered amongst the poems are moments of prose and snippets of email exchanges between Merrill and his editor. But perhaps the most dynamic aspect of this book is the inclusion of Merrill's original drawings and handwritten notes, which occupy the space around the poems: visual expansions from the poet's haptic nonce of a squirrelly soul.
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