Bøker av Howard Norman

It's 1918. The war in Europe grinds on, and the Spanish flu seems to be on an insatiable killing spree. But in the small fishing village of Parrsboro, Nova Scotia, a more confined drama-harrowing and provocative-slowly unfolds. It begins when Elizabeth Frame murders her husband hours after their wedding and thrusts the revolver into the blowhole of a beached whale.Crime reporter Toby Havenshaw is dispatched by the Halifax Evening Mail to cover the hearing, and his diary subsequently follows the surprising twists and turns of Elizabeth Frame's flight from the law, accompanied as she is by a love-besotted court stenographer. But Toby's diary also paints a vivid and deeply affecting portrait of his marriage to Amelia, a surgeon just returned from the front lines in France and Belgium. When a child is born to Elizabeth Frame on the lam, Amelia is drawn into events in ways she could never have imagined. And then everything changes.Come to the Window explores a question both universal and timeless: How does one recover hope in a time of great bewilderment and grief?

National Book Award finalist Howard Norman delivers another "provocative . . . haunting"* novel, this time set in a Vermont village and featuring a missing child, a newly married private detective, and a highly relatable ghost. *Janet Maslin, New York Times Simon Inescort is no longer bodily present in his marriage. It's been several months since he keeled over the rail of a Nova Scotia-bound ferry, a massive heart attack to blame. Simon's widow, Lorca Pell, has sold their farmhouse to newlyweds Zachary and Muriel--after revealing that the deed contains a "ghost clause," an actual legal clause, not unheard of in Vermont, allowing for reimbursement if a recently purchased home turns out to be haunted. In fact, Simon finds himself still at home: "Every waking moment, I'm astonished I have any consciousness . . . What am I to call myself now, a revenant?" He spends time replaying his marriage in his own mind, as if in poignant reel-to-reel, while also engaging in occasionally intimate observation of the new homeowners. But soon the crisis of a missing child, a local eleven-year-old, threatens the tenuous domestic equilibrium, as the weight of the case falls to Zachary, a rookie private detective with the Green Mountain Agency. The Ghost Clause is a heartrending, affirming portrait of two marriages--one in its afterlife, one new and erotically charged--and of the Vermont village life that sustains and remakes them.

"[An] ingeniously plotted novel . . . Norman knows how to weave an enticing and satisfying mystery, one tantalizing thread at a time." -- New York Times Book Review A witty, engrossing homage to noir, from National Book Award finalist Howard Norman Jacob Rigolet, soon-to-be former assistant to a wealthy art collector, looks up from his seat at an auction--his mother, former head librarian at the Halifax Free Library, is walking almost casually up the aisle. Before a stunned audience, she flings an open jar of ink at master photographer Robert Capa's Death on a Leipzig Balcony. Jacob's police detective fiancée is assigned to the ensuing interrogation. My Darling Detective delivers a fond nod to classic noir, as Jacob's understanding of the man he has always assumed to be his father unravels against the darker truth of Robert Emil, a police officer suspected of murdering two Jewish residents during an upswing of anti-Semitism in 1945. The denouement, involving a dire shootout and an emergency delivery--it's the second Rigolet to be born in the Halifax library in a three decades--is Howard Norman at his uncannily moving best. "Norman works with an offhand ease and grace . . . Whimsy is balanced by moments of powerfully evoked realism." -- Washington Post "An unconventional, lively literary mystery." -- Kirkus Reviews