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A powerful, poetic picture book biography about artist Agnes Martin and how she painted to show her love for the worldHow to Love the Whole World is a powerful, poetic picture book biography about fine artist Agnes Martin and how she painted to show her love for the world from international art scholar Henry Martin and author/illustrator Shelley Hampe. Like her contemporary Georgia O’Keeffe, Agnes was deeply inspired by the New Mexican landscape and lived a solitary life there, painting what she loved. And what did Agnes love? She loved an eggshell blue sky at sunrise, and she loved the cotton candy pink sunset. Agnes loved the whole world. She said, “If I paint the things I love, then my paintings will be about love. And you will feel love when you look at them.” She even painted a painting called I Love the Whole World—twice. But some days, Agnes did not love the whole world. Not everyone understood her art, or her, and she felt it all. Agnes painted solace in pale, barely-there, mercurial hues and painstakingly simple lines and squares.In simple, poetic language, How to Love the Whole World tells a story of an artist and answers the question, “How do we love the whole world?” We slow down, pay attention, seek beauty and truth, feel it all, maybe even joy.
In the heart-pounding geopolitical thriller "Spear Garden," CIA operative Blake MacKay faces his most perilous mission yet as he navigates a treacherous world of international arms dealing, high-stakes espionage, and unexpected alliances.Tasked with eliminating the dangerous Cuban arms dealer General Hector Vasquez, Blake infiltrates Vasquez's inner circle at his lavish estate in Cuba. Posing as a children's charity worker, he befriends the general's daughter, Adriana, only to find himself embroiled in a deadly assassination attempt that leaves him wounded and pursued. As Blake delves deeper into the investigation, he uncovers a highly advanced and lethal new weapons system called Metal Storm, sold to international terrorist Zahmir Al-Hamwi by an American manufacturer. His pursuit leads him to Afghanistan, where a mission to raid a suspected Al-Hamwi safe house results in unexpected casualties. Determined to track down Al-Hamwi, Blake returns to Cuba and forms an unlikely alliance with Adriana, uncovering crucial intel that leads them across Europe on Al-Hamwi's trail. Their partnership evolves into a passionate romance, but the stakes grow higher as they uncover a sinister plot involving the Belarusian Prime Minister and a coup d'état.In a race against time, Blake must prevent a mass casualty terrorist attack and expose the high-level conspiracy, all while facing betrayal within the highest levels of American intelligence. "Spear Garden" is a gripping tale of danger, intrigue, and the unbreakable determination of one man against insurmountable odds.
Henry Martin's Preludes and fugues #17 and 18, of an eventual 24. Suitable for concert, recital and church use.
In this remarkable book, Henry Martin invites us to study in close detail van Gogh's painting 'The Good Samaritan', and the famous parable told by Jesus of Nazareth. He asks what lessons we can learn from meditation upon the imagery and each of the characters portrayed.Questions for discussion and reflection on each chapter help us to relate the themes and challenges of the parable to our lives and the world we live in today. The book is also an engaging, personal study of van Gogh, the tragic genius of his life, and the struggles he faced which may have informed both his process and his spirituality. Martin has translated many of van Gogh's letters, and, as an artist himself, brings a unique perspective to our understanding of both the painter and the parable.
Histoire de la bibliothèque de l'Arsenal / par Henry Martin, ...Date de l'édition originale: 1900Sujet de l'ouvrage: Bibliothèque de l'Arsenal (Paris; 1797-1934) -- HistoireLe présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF.HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande.Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables.Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique.Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
This book of daily readings offers a wonderfully fresh way of deepening the way that we talk to God. Alongside author Henry Martin, we `eavesdrop', or `listen in', on 49 instances of people who actually spoke to Jesus in the Bible, and ask what we can learn from what they said and how he responded.
Counterpoint is a textbook for use as a stand-alone text in a course on species counterpoint or as a supplementary text for standard college-level courses in music theory. It is based on Heinrich Schenker's (1868-1935) two-volume study of counterpoint. It is intended to help all students of theory or composition to improve their musicianship by examining the voice-leading that underlies Western tonal music. The book proceeds by developing species counterpoint in the tradition of Johann Joseph Fux and his famous Gradus ad Parnassum (1725), but with attention to Schenker's more in-depth study. For the sake of brevity, musical examples are available on the Scarecrow Press website (www.scarecrowpress.com), rather than within the text itself. Everyone from beginning music theory students to composers to graduate composition students will greatly benefit from the methods presented here. Rather than actually teaching a student to compose, working through these exercises will improve musicianship as it applies to both composition and understanding music theory.
Martin provides a new overall assessment of the importance of Charlie Parker through an analysis of his improvisations in a variety of genres. Earlier studies of Parker argue that his style is based on an extensive network of melodic formulas that are combined to create solos. Because the same formulas appear throughout his improvisations regardless of the theme, these studies concluded that the solos do not usually relate to the original melodies. Charlie Parker and Thematic Improvisation provides a much-needed reassessment by showing that Parker's solos are often related to the original themes in unexpected and sometimes ingenious ways. The conclusion sums up features of Parker's style and discusses his contribution in the context of Western music history. Numerous transcriptions are provided. This groundbreaking technical study will be of interest to musicologists and serious students of jazz.
Showcases professional work in the arena of jazz theory. Among the contributors are scholars of jazz theory as well as musicians, including four of the founding members of the jazz section of the Society for Music Theory.
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