Bøker av Henry Fothergill Chorley

For over three decades, Henry Fothergill Chorley was one of England's most prominent music critics and writers. In Thirty Years' Musical Recollections, he looks back on his career and offers insights into the world of music during the mid-19th century. From the operas of Rossini and Verdi to the songs of Schubert and Mendelssohn, Chorley's book captures a moment in time when music was at the center of cultural life in Europe. Whether you're a fan of classical music or simply interested in the history of this fascinating period, Thirty Years' Musical Recollections offers a compelling read.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This gripping novel by Henry Fothergill Chorley tells the story of a young musical prodigy who must navigate the cutthroat world of opera and classical music. With vivid characters and expertly crafted prose, A Prodigy is a gripping tale of ambition, love, and betrayal.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

First published in 1854, Modern German Music is a landmark work of music criticism. The author, Henry Fothergill Chorley, was an accomplished writer and musician who wrote extensively on both English and German music in the mid-19th century. His work provides a fascinating insight into the musical culture of the time, and his opinions and views are still debated by scholars today.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This three-volume book, first published in 1841, originated in a journal written by the music critic Chorley while travelling in Europe. His aim was to 'illustrate the present state of theatrical, orchestral, and chamber music abroad'. Volume 1 describes his visits to Paris and Brunswick, focusing on opera.

This is the first of two volumes originally published in 1862 in which the long-time music critic of The Athaneum gives a year-by-year commentary on the European operas, ballets, singers and dancers popular in London from 1830 to 1859. Volume 1 covers the period 1830-1847.

This two-volume survey of German music, from 1854, offers lively descriptions of the musical life of German cities, and extended essays on Spohr, Beethoven, Schubert and Mendelssohn, but Chorley is by no means an uncritical observer, noting with concern the rise of nationalism in Germany after 1848.