Bøker av Henry Fielding

A new edition of a satire on Richardson's PAMELA, featuring the character of Parson Adams. With explanatory notes by A R Humphreys.

A scholarly edition of works by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of works by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A novel that counters the traditional courtship plot of eighteenth-century novels with its portrayal of a marriage between an errant husband and his wife, and is ahead of its time in its use of fragmented narrative.

This is the first of three volumes of plays by Henry Fielding, whose vibrant early career in theatre has been overshadowed by his later fame as the author of novels like Tom Jones. This edition makes his plays, and his rich gift for theatrical comedy, accessible for the first time in modern form.

Covers Henry Fielding's journalism, which occupied a far greater part of his time than has been traditionally acknowledged. This book contains explanatory annotations and appendices. It emphasizes on matters such as genesis and composition, circumstances of publication, in addition to immediate biographical, literary, and historical backgrounds.

Tom, a foundling, is discovered one evening by the benevolent Squire Allworthy and his sister Bridget and brought up as a son in their household; when his sexual escapades and general misbehavior lead them to banish him, he sets out in search of both his fortune and his true identity. Amorous, high-spirited, and filled with what Fielding called “the glorious lust of doing good,” but with a tendency toward dissolution, Tom Jones is one of the first characters in English fiction whose human virtues and vices are realistically depicted. This edition is set from the text of the Wesleyan Edition of the Works of Henry Fielding.

Both Joseph Andrews (1742) and Shamela (1741) were prompted by the success of Richardson's Pamela (1740), of which Shamela is a splendidly bawdy parody. In both works Fielding demonstrates his concern for the corruption of contemporary society, politics, religion, morality, and taste. This revised and expanded edition follows the text of Joseph Andrews established by Martin C. Battestin for the definitive WesleyanEdition of Fielding's works. The text of Shamela is based on the first edition, and two substantial appendices reprint the preliminary matter from Conyers Middleton's Life of Cicero and the second edition of Richardson's Pamela (both closely parodied in Shamela). A new introduction by Thomas Keymer situates Fielding's works in their critical andhistorical contexts.

The real-life Jonathan Wild, gangland godfather and self-styled "Thieftaker General," controlled much of the London underworld until he was executed for his crimes in 1725. Even during his lifetime his achievements attracted attention; after his death balladeers sang of his exploits, and satirists made connections between his success and the triumph of corruption in high places. Fielding built on these narratives to produce one of the greatest sustained satires in the English language. Published in 1743, at a time when the modern novel had yet to establish itself as a fixed literary form, Jonathan Wild is at the same time a brilliant black comedy, an incisive political satire, and a profoundly serious exploration of human "greatness" and "goodness," as relevant today as it ever was.

Tom Jones, born a foundling, he romps through the English countryside getting himself into all kinds of trouble. Betrayed by jealous relatives, Tom Jones is exiled from home and must undergo a variety of trials and adventures in his quest to be reunited with his one true love and redeem himself in the eyes of society.

Fielding''s comic masterpiece of 1749 was immediately attacked as `A motley history of bastardism, fornication, and adultery''. Indeed, his populous novel overflows with a marvellous assortment of prudes, whores, libertines, bumpkins, misanthropes, hypocrites, scoundrels, virgins, and all too fallible humanitarians. At the centre of one of the most ingenious plots in English fiction stands a hero whose actions were, in 1749, as shocking as they are funny today.Expelled from Mr Allworthy''s country estate for his wild temper and sexual conquests, the good-hearted foundling Tom Jones loses his money, joins the army, and pursues his beloved across Britain to London, where he becomes a kept lover and confronts the possibility of incest. Tom Jones is rightly regardedas Fielding''s greatest work, and one of the first and most influential of English novels. This carefully modernized edition is based on Fielding''s emended fourth edition text and offers the most thorough notes, maps, and bibliography. The introduction uses the latest scholarship to examine how Tom Jones exemplifies the role of the novel in the emerging eighteenth-century public sphere. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A scholarly edition of works by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of works by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Henry Fielding's 18th century classic regales the story of Tom Jones and his longing for Sophia Western, the beautiful daughter of the neighbouring squire.

This Norton Critical Edition reprints the authoritative Wesleyan text of Joseph Andrews, edited by Martin Battestin.

SHAMELA is a brilliant parody of Samuel Richardson's PAMELA, in which a virtuous servant girl long resists her master's advances and is eventually 'rewarded' with marriage. Fielding's far more spirited and sexually honest heroine, by contrast, merely uses coyness and mock modesty as techniques to catch a rich husband. JOSEPH ANDREWS, Fielding's first full-length novel, can also be seen as a response to Richardson, as the lascivious Lady Booby sets out to seduce her comically chaste servant Joseph, (himself in love with the much-put-upon Fanny Goodwill). As in Tom Jones, Fielding takes a huge cast of characters out on the road and exposes them to many colourful and often hilarious adventures.

Part of the "Wesleyan Fielding" series, this work is devoted to author's major works of fiction, "The History of the Life" of the late Mr Jonathan Wild the Great, an ironic political satire on false greatness. It includes an historical introduction, textual introduction, and explanatory notes.

The Second Edition of this Norton Critical Edition of Fielding's great novel reprints the definitive fourth edition text (1749, dated 1750), "Carefully revis'd and corrected/By Henry Fielding, Esq;", the last in his lifetime.

A scholarly edition of works by Henry Fielding. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Tom Jones is the ward of a liberal Somerset squire. He is a generous but slightly wild and feckless country boy with a weakness for young women. Misfortune, followed by many spirited adventures as he travels to London to seek his fortune, teach him a sort of wisdom to go with his essential good-heartedness.