Bøker av Helen Cooper

From twice-Kate Greenaway WINNER comes an exquisite story within a story, featuring a mouse who is forced to tell stories to save his life, a cat who plans to eat said mouse as soon as the story is finished, and our protagonist's protagonist, a princess in trouble. Gorgonzola watched Brie with her tail twitching .

A brother and sister try their best to settle in a new home. The boy makes new friends but his sister remains haunted by the past. Trying to help his sister, the boy catches a butterfly and brings it into the house. She needs to free the butterfly but that would mean going outside. Facing her fears, she also begins the process of saving herself.

This volume reflects the multiplicity of English poetry between 1100 and 1400. The chapters focus on the historical, linguistic, and poetic transitions of the period, including major innovations and developments in language, topics, poetic forms, and means of expression.

A poetic, powerful story about a little brother and a big sister finding a new home and new hope after being rescued from a boat lost in the dark sea.A little brother and his big sister try their best to settle in a new home, where they have nothing left from before except each other. The little one makes new friends and quickly learns to laugh again but his sister remains haunted by the shadows of their past and hides away in their broken house. Trying to help his sister, the little one catches a butterfly for her and brings it inside the house. His sister knows that she needs to set the butterfly free ... but that would mean going outside. In taking the first steps to face her fears and save the butterfly, she also begins the process of saving herself.

New approaches to this most fluid of medieval genres, considering in particular its reception and transmission.Romance was the most popular secular literature of the Middle Ages, and has been understood most productively as a genre that continually refashioned itself. The essays collected in this volume explore the subject of translation, both linguistic and cultural, in relation to the composition, reception, and dissemination of romance across the languages of late medieval Britain, Ireland, and Iceland. In taking this multilingual approach, this volume proposes a re-centring, and extension, of our understanding of the corpus of medieval Insular romance, which although long considered extra-canonical, has over the previous decades acquired something approaching its own canon - a canon which we might now begin to unsettle, and of which we might ask new questions.The topics of the essays gathered here range from Dafydd ap Gwilym and Walter Map to Melusine and English Trojan narratives, and address topics from women and merchants to werewolves and marvels. Together, they position the study of romance in translation in relation to cross-border and cross-linguistic transmission and reception; and alongside the generic re-imaginings of romance, both early and late, that implicate romance in new linguistic, cultural, and social networks. The volume also shows how, even where linguistic translation is not involved, we can understand the ways in which romance moved across cultural and social boundaries and incorporated elements of different genres into its own capacious and malleable frame as types of translatio - in terms of learning, or power, or both.

Two crucial genres of medieval literature are studied in this outstanding collection.

Kate Greenaway award-winning Helen Cooper's first foray into fiction is an exquisite delight, that is brought to life by her stunning pencil drawings.

This work includes foreword by Ian Botham, OBE, former England Cricket Captain and father of a daughter with Type 1 Diabetes

Every day, Cat, Squirrel and Duck make pumpkin soup - the best you've ever tasted. So, they make fish soup, mushroom soup and beetroot soup, but will the new soups be as delicious as their favourite? Poor Duck gets hungrier and hungrier and grumpier and grumpier, until at last Cat comes up with a soup that might just be .

He is utterly convinced that the bear will gobble him up if he doesn't feed it, so every day he carefully opens the door, throws in some food and slams it shut quickly - wham, bang, thump!Find out what happens when a nastly smell pervades the house and Mum and William decide to investigate .

Pumpkin Soup. Made by a Cat, a Squirrel and a Duck, waiting just for a pipkin of salt, to make it the best you ever tasted . . . But the salt jar smashes and there is none left for the Pumpkin Soup! But not everything goes to plan . . . Fans of Pumpkin Soup will be delighted by this sequel with its warm and vibrant illustrations.

said the Baby. The Baby wants to stay up all night, so he revs up his car and sets off on an adventure. But there is someone else who's not asleep... someone who loves the Baby very much. A magical book whose soft yet sparkling artwork perfectly captures the twilight world of a small child, determined not to go to sleep.