Bøker av Harvey Sachs

In his time, the Austrian American composer Arnold Schoenberg (1874-1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century's most influential composers and teachers. Sachs shows how Schoenberg, a thorny character who composed thorny works, raged against the "Procrustean bed" of tradition. Defying his critics-among them the Nazis, who described his music as "degenerate"-he constantly battled the anti-Semitism that eventually precipitated his flight from Europe to Los Angeles. Yet Schoenberg, synthesising Wagnerian excess with Brahmsian restraint, created a shock wave that never quite subsided and, as Sachs powerfully argues, his compositions must be confronted by anyone interested in the past, present or future of Western music.

A decade after the French Revolutionary and Napoleonic Wars had given way to an era of retrenchment and repression, 1824 became a watershed year. The premiere of the Ninth Symphony, the death of Lord Byron - who had been aiding the Greeks in their struggle for independence, Delacroix's painting of the Turkish massacre of Greeks at Chios and Pushkin's anti-tyrannical play Boris Godunov all signalled that the desire for freedom was not dead. And all of these works and events were part of the flowering of the High Romantic period. In The Ninth, eminent music historian and biographer Harvey Sachs employs memoir, anecdote and his vast knowledge of history to explain how the premiere of Beethoven's staggering last symphony was emblematic of its time - a work of art unlike any other - and a magisterial, humanistic statement that remains a challenge down to our own day and for future generations.