Bøker av Hamid Dabashi

This is the story of Mashya and Mashyana Unearthed, an exploration of when and where ancient myths become metonymic in varied forms of contemporary cultural and aesthetic representations.

"This book should have been written a long time ago. It is the first bold and incisive deconstruction of the greatest fabricated binary of this century: 'Islam and the West.' This old Orientalist and destructive juxtaposition has survived until today and provided the moral justification for the brutal American assaults on Afghanistan and Iraq. This book offers a different genealogy for the emergence of this constructed binary, positioned one against the other in a poisonous, and artificial, relationship. Hamid Dabashi forcefully challenges this dangerous concept of 'Islam and the West, ' offering an alternative de-racialized and humane perspective--visions of the past and future that will be essential for all who are embroiled and affected by this insidious and violent construct. Scholars and the wider audience will find in this book an accessible, honest, and very readable critique of a notion that impacts the lives of so many of us in this century."--Ilan Pappé, Professor of History and Director of the European Centre for Palestine Studies, University of Exeter "'Islam and the West' is a gnoseological invention (not a 'representation') cast in the binary logic undergirding the idea of Western Civilization. Dabashi's convincing and powerful argument is the call to extricate ourselves from this and all binary illusions that shatter thinking in order to manage subjective and intersubjective relations."--Walter D. Mignolo, author of The Politics of Decolonial Investigations "Dabashi, with all the erudition of a distinguished scholar, takes on and demolishes a fiction that has long been accepted as truth: that something called the 'West' and 'Islam' actually exist. This book both pushes back against mainstream and right-wing authors and takes on scholarly work that falls into the trap of creating an essentialized West. It then draws on millennia of history to expose the limitations of the 'Islam and the West' framework. This brilliant book is an important intervention at this historical moment when the empire of capital has assumed new forms to legitimate itself."--Deepa Kumar, Professor of Media Studies at Rutgers University and author of Islamophobia and the Politics of Empire: 20 Years after 9/11 "In this gripping text, Dabashi advances a new materialist, post-Saidian perspective to dismantle the ideological foundation of the all-too-familiar binary 'Islam and the West.' The End of Two Illusions is a powerful antidote to Samuel Huntington and the epistemological apparatus of the 'clash of civilizations.'"--Asef Bayat, Bastian Professor of Global and Transnational Studies, University of Illinois at Urbana-Champaign "Dabashi draws on his probing and erudite oeuvre to chart an emancipatory path beyond the illusory West-Islam binary."--Elizabeth Suzanne Kassab, author of Enlightenment on the Eve of Revolution: The Egyptian and Syrian Debates

Edward Said (1935-2003) was a towering figure in post-colonial studies and the struggle for justice in his native Palestine, best known for his critique of orientalism in western portrayals of the Middle East. As a public intellectual, activist, and scholar, Said forever changed how we read the world around us and left an indelible mark on subsequent generations.Hamid Dabashi, himself a leading thinker and critical public voice, offers a unique collection of reminiscences, travelogues and essays that document his own close and long-standing scholarly, personal and political relationship with Said. In the process, they place the enduring significance of Edward Said's legacy in an unfolding context and locate his work within the moral imagination and environment of the time.

Declares the end of the nation state as a political proposition predicting the dissolution of the state as an organizing framer of politics.

Europe as we've known it is a dying myth, but colonial relations live on.

Brings together, in a sustained and engagingly written narrative, the leading revolutionaries who have shaped the ideological disposition of the Islamic Revolution in Iran. It provides particular attention to the larger, more enduring ramifications of this revolution for radical Islamic revivalism in the entire Muslim world.

Hamid Dabashi insightfully traces the history, authorship, poetic significance, complicated legacy, and enduring significance of the Iranian epic poem the Shahnameh. In addition to explaining what makes it such a distinctive literary work, he makes a powerful case that we need to rethink the notion of "world literature" in light of the Shahnameh.

Scores of books and articles have been published, addressing one or another aspect of the Islamic Revolution in Iran

From antiquity to the Enlightenment, Persian culture has been integral to European history. Interest in all things Persian shaped not just Western views but the self-image of Iranians to the present day. Hamid Dabashi maps the changing geography of these connections, showing that traffic in ideas about Persia did not travel on a one-way street.

From the origins of Muhammad's prophetic movement through the development of Islam's principal branches to the establishment of the Umayyad dynasty, the concept of authority has been central to Islamic civilization

Through a careful study of contemporary Iranian history in its political, literary, and artistic dimensions, Dabashi decouples the idea of Iran from its colonial linkage to the cliche notion of "the nation-state," and then demonstrates how an "aesthetic intuition of transcendence" has enabled it to be re-conceived as a powerful nation.

Humanism has mostly considered the question "e;What does it mean to be human?"e; from a Western perspective. Dabashi asks it anew from a non-European perspective, in a groundbreaking study of 1,400 years of Persian literary humanism. He presents the unfolding of this vast tradition as the creative and subversive subconscious of Islamic civilization.

Ayn al-Qudat is one of the great multidimensional geniuses of Islamic intellectual history and has even been described as the true father of descontructionism. This work aims to fill this gap with an analysis of this seminal 12th-century writer and thinker.

In this landmark book, Hamid Dabashi argues that the revolutionary uprisings from Morocco to Iran and from Syria to Yemen were driven by a 'delayed defiance' - a point of rebellion against domestic tyranny and globalized disempowerment alike - that signifies no less than the end of Postcolonialism.

Exposes the soul of Shi'ism as a religion of protest - successful only when in a warring position, and losing its legitimacy when in power. This book makes a case through a detailed discussion of the Shi'i doctrinal foundations, a panoramic view of its historical unfolding, and a varied investigation into its visual and performing arts.

Offers a sustained record of Hamid Dabashi's reflections over many years on the question of authority and the power to represent. Who gets to represent whom and by what authority? Dabashi's book is not as much a critique of colonial representation as it is of the manners and modes of fighting back and resisting it.

This book is a a critical examination of the role that immigrant intellectuals play in facilitating the global domination of American imperialism.*BR**BR*In his pioneering book about the relationship between race and colonialism, Black Skin, White Masks, Frantz Fanon explored the traumatic consequences of the sense of inferiority that colonised people felt. Brown Skin, White Masks picks up where Fanon left off, and extends Fanon's insights as they apply to today's world.*BR**BR*Dabashi shows how intellectuals who migrate to the West are often used by the imperial powers to misrepresent their home countries. Just as many Iraqi exiles were used to justify the invasion of Iraq, Dabashi demonstrates that this is a common phenomenon, and examines why and how so many immigrant intellectuals help to sustain imperialism.

The name of Mohsen Makhmalbaf is almost synonymous with the dramatic rise of Iranian cinema in the aftermath of the Islamic Revolution. The author draws from his friendship with Makhmalbaf, as well as his direct involvement with Makhmalbaf's films and thought, to present us the tumultuous life and spectacular career of a great filmmaker.