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This volume examines the potentially deleterious impact of place branding on the social fabric, ecosystems and local economies of the places concerned. As the different essays show, place branding is a fundamentally political practice, often driven by hidden agendas that marginalize certain groups within society. Contributors explore place branding from a wide variety of angles, including: the role played by the visual arts in city branding; the applied arts, and speci cally the fashion industry¿s potential for shaping perceptions of a particular place; the different ways in which sport has been exploited by the political elites; the role of design in place branding, including the architectural design of sports stadia; and the potentially insidious economic and societal consequences of excessive consumption of branded places.
A new town established in the 1800s, Colwyn Bay thrived with the coming of the railway, growing over the last century into one of the largest communities in North Wales. In Secret Colwyn Bay, local author Graham Roberts takes the reader off the beaten track and into the less well-known episodes of the town's history. From tales of famous and infamous characters, strange events and hidden architectural gems, this new book will prove to be a must-have for everyone's bookshelf, appealing not only to local residents with a keen interest in the history of Colwyn Bay but also to the many visitors and holidaymakers who wish to learn more about this fascinating and historical corner of north Wales.
This volume from the "KINO Russian Cinema" series investigates the production, context and reception of the film "The Man with the Movie Camera", the people who made it, and the film itself, including its place in Russian and World cinema.
This is an account of Soviet documentary output during the years between the "Great October Socialist Revolution" and the "Great Patriotic War". Graeme Roberts re-views the examples of Soviet, and world, non-fiction cinema, and uncovers many intriguing films.
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