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In this new novel Gunter Grass examines a subject that has long been taboo - the sufferings of the Germans during the Second World War. He explores the sinking of the Wilhelm Gustloff, the deadliest maritime disaster of all time, and the repercussions upon three generations of a German family.
Six Decades grants us a privileged look behind the normally closed door of Nobel Laureate Günter Grass' studio. For well over half a century Grass worked unceasingly as a writer, sculptor and graphic artist. While capturing the pulse of each decade of his long life in his novels, Grass also produced theatre pieces, poems, short stories, essays, etchings, lithographs, drawings and sculptures. He was furthermore politically active in his native Germany, set up several foundations, and was passionately dedicated to issues he saw of artistic, social and humanitarian importance.Combining Grass' writings with over 800 reproductions of his visual art, documents and photographs, Six Decades allows us to follow his working processes from book to book, from year to year. He shares with us moments of private happiness and crises through texts and images, many of which were not originally intended for publication, including preparatory sketches, draft manuscripts, book cover designs and work plans.
The final work of Nobel Prize-winning writer Gunter Grass - a witty and elegiac series of meditations on writing, growing old, and the world. In a striking interplay of poetry, lyric prose and drawings, Grass creates his final, major work of art.
This work, part of the "German Library" series, contains translations of two major works by Gunter Grass: "Cat and Mouse" and "The Meeting at Telgte". The book also includes a political essay by Grass.
Gives the reader an insight into a key moment in the life of modern Europe. This title also provides an insight into the creative process as the reader witnesses ideas for novels occurring and then taking shape. It presents both a personal journal by a creative artist and a commentary on European history.
In this delightful sequel to Peeling the Onion, Gunter Grass writes in the voices of his eight children as they record memories of their childhoods, of growing up, of their father, who was always at work on a new book, always at the margins of their lives.
Peeling the Onion is a searingly honest account of Grass' modest upbringing in Danzig, his time as a boy soldier fighting the Russians, and the writing of his masterpiece, The Tin Drum, in Paris. It is a remarkable autobiography and, without question, one of Gunter Grass' finest works. By the Nobel Prize-winning author of The Tin Drum.
Although this novel (published four years before Grass won the Nobel Prize) ranges from the fall of the Berlin Wall in 1989 to the following year's unification of Germany, the author's basic obsession is - through cryptic references and allusions - with the past two centuries of German history.
The satire is sharp, the analysis precise, and Grass is still expert in drawing out the painful comedy of human behaviour and the pitfalls that await good intentions' - The New YorkerFrom the Nobel Prize-winning author of The Tin Drum comes a satire of european politics and a love story.
To compensate for his unusually large Adam's apple - source of both discomfort and distress - fourteen year old Joachim Mahlke turns himself into athlete and ace diver. With a subtle blend of humour and power, Cat and Mouse ostensibly relates the rise of Mahlke from clown to hero.
Probably the most autobiographical of his novels, From the Diary of a Snail balances the agonising history of the persecuted Danzig Jews with an account of Grass's political campaigning with Willie Brandt.
Gunter Grass, says The Times, 'is on his own as an artist', and indeed this extraordinary, provoking and joyously Rabelaisian celebration of life, food and sex is unique. Lifted from their ancient fairytale, the fisherman and his wife are still living today.
A collection of one hundred inter-linked stories celebrating the twentieth century, by Germany's most eminent contemporary writer. As the sequence of stories unfolds, a lively and rich picture emerges, an historical portrait of our century in all its grandeur and in all its horror.
THE TIN DRUM presents Hitler's rise and fall through the eyes of the dwarfish narrator whose magic powers become symbolic of the dark forces dominating the German nation in the period. Like Thomas Mann's DOCTOR FAUSTUS, Grass's novel explores the dark roots of power and creativity.
In an explosive fusion of myth and reality, magic and romance, Dog Years charts forty years of German history, starting with 1917, to expose the madness of a society that bred and nurtured the horrors of the Third Reich before anaesthetising itself with the chaos of disintegration.
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