Bøker av Gina Marchetti

Manoeuvring around mainland ChinaâEUR(TM)s censors and pushing back against threats of lawsuits, online harassment, and physical violence, #MeToo activists shed a particularly harsh light on the treatment of women in the cinema and entertainment industries. Focusing on films from the PeopleâEUR(TM)s Republic of China, Hong Kong, Taiwan, and the Chinese diaspora, this book considers how female directors shape Chinese visual politics through the depiction of the look, the stare, the leer, the glare, the glimpse, the glance, the queer and the oppositional gaze in fiction and documentary filmmaking. In the years leading up to and following in the wake of #MeToo, these cosmopolitan women filmmakers offer innovative angles on body image, reproduction, romance, family relations, gender identity, generational differences, female sexuality, sexual violence, sex work, labor migration, career options, minority experiences, media access, feminist activism and political rights within the rapidly changing Chinese cultural orbit.

A look at Chinese filmmaking in the post-1989 American diaspora

Focusing upon Hollywood's portrayal of Asian races, this study describes how social taboos concerning Orientals helped to perpetuate social and racial inequality in the USA. The author's discussion covers early silent films, later classics such as "Shanghai Express" and the recurring geisha movies.

Explores the important interconnections involving questions of race, ethnicity, gender, and sexuality on world screens by examining a range of films, videos, and digital works associated with global Chinese culture. This book includes films and other texts that represent a range of work by media artists working within China, Hong Kong, and Taiwan.